Zoltán Papp

Stephen, living in a troubled family, breaks into a grocery store and wreaks vandalism. He is sent to a reform school. Later he works in a cleaning brigade and accidentally meets József Draskóczi, who denounced him. Draskóczi lives in an unloving, troubled atmosphere with his barren daughter and cynical son-in-law, ascetic about his youthful communist beliefs. He feels responsible for Istvan's fate, offering him a human voice and love. Despite his daughter's hysterical jealousy, he sends Istvan to school and then, through his previous connections, provides him with an apartment...

The film has a broken meaning, the last time he was a proofreader for a book publisher, he is now unemployed. Ever since he was a child, he has always been the one who pulls the short one, and he takes the wrong one. At the beginning of the film, he finds himself in such a "bunbak" situation again, and then he decides to become a professional bunbak...

It is a tragedy, set among low-lifes on the outskirts of Budapest. Dramatic Exchange describes it as "Widely considered to be the most important Hungarian play of the last 20 years". The odd title of the play refers in the first instance to the chicken heads that an old woman feeds to her cat. However, it can also be taken to refer more broadly to the obtuse behaviour of the main characters in the play. The play is an odd mixture of pathos and nihilism, written against the bleak background of Stalinist totalitarianism from which Hungary was emerging. As with much modern drama, there is no hero in the play. The only noble behaviour that one can find belongs to one of the characters in the past, when he was a child, but he is no longer as he was. The hint that what once existed might be achieved again is the only faint ray of hope in a very bleak view of the human condition.

In the late 17th century, Hungary moved from Turkish to Austrian domination, becoming a key part of the Austro-Hungarian Empire. In this story, which takes place shortly after that time, three outlaws murder a group of people on their way to a wedding. One young man was a slave travelling with the group to entertain them with his skills as a trumpeter. The outlaws spare him for the same reason. He allows himself to believe that they are really an unattached group of independence-fighters, but after seeing their brutal and callous ways, he cannot believe that they are good men, and he turns them in to the authorities. At that point, he is unnerved to discover how nobly they bear the rigors of captivity. ~

Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.

To celebrate Sleeping Beauty's awakening, the cruel stepmother organises a dress-ball in the Wonder Castle and invites the characters of all tales and their two fathers, the Grimm-brothers. The stepmother announces total peace, but in fact she is preparing for a coup d'état with a phoney prince, a phoney Sleeping Beauty, through intrigue and violence in order to change the tales.

Frère Cadfael se repose en s'occupant des jardins de l'abbaye de Shrewsbury en Angleterre. Mais il est souvent appelé pour résoudre meurtres et autres crimes. Cadfael est le nom donné à la série télévisée des adaptations de Cadfael Chronicles, produites par la chaîne de télévision britannique ITV Central, entre 1994 et 1998. La série a été diffusée sur le réseau ITV au Royaume-Uni et mettait en vedette Sir Derek Jacobi.