Matthew T. Weiner

Lori Myers has no idea of the terrifying danger she attracts after accepting a gift from her husband Rick to celebrate their marriage. For the beautifully hand-crafted Russian puppet he buys in suburban New York contains a fortune in smuggled jewels from the fabled collection of the last Czar. Unknown to Rick, the Brighton Beach antique store is really a front for the deadly activities of the Russian Mafia. And Uilanov, their sadistic mob leader, wants the priceless treasure back in his possession at all costs. As sinister henchmen track down all recent newlyweds in the area and embark on a bloody killing spree, the couple enter their own private hell when dark secrets erupt from the forgotten mists of Lori's childhood. But fighting her personal demons is just one of the many menacing hazards Lori faces on a perilous journey packed with seat-edged suspense and shocking surprise.

Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.

Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.

Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.

Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.

Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.

A vibrantly funny look at filmmaking as a megalomaniacal Italian film auteur charged with directing a big-budget musical about the Mafia, decides in mi-shoot that the project is beneath him!

A traveling cellist gets involved with two disturbed sisters on their way to Seattle to tell their mom that their dad has just passed away. On the way, the two kill a judge and a few others unknown to the cellist. Eventually he gets pinned for the crimes and is forced to defend himself.

A traveling cellist gets involved with two disturbed sisters on their way to Seattle to tell their mom that their dad has just passed away. On the way, the two kill a judge and a few others unknown to the cellist. Eventually he gets pinned for the crimes and is forced to defend himself.

A lonely widow plans a trip around the world with her husband's ashes, to visit the places they loved in the movies. During her first stop in Scotland at the beautiful estate she stays in, she meets the innkeeper who changes her life forever.

A lonely widow plans a trip around the world with her husband's ashes, to visit the places they loved in the movies. During her first stop in Scotland at the beautiful estate she stays in, she meets the innkeeper who changes her life forever.