Carlos Cañas

Madrid, Espagne, 1998. Les nombreuses ressources et compétences de Gloria, Paz et Sagrario, trois femmes d'âge moyen qui enquêtent sur des événements paranormaux, sont mises à l'épreuve lorsque leur chef, le père Pilón, fait une rencontre désagréable.

Miguel arrives at his grandmother's house to celebrate Christmas with his family, ready to face another night of reproaches. But this year is even worse; they want Miguel to join the family business, sacrificing his own dreams. Will Miguel be able to stand his ground, or will he end up succumbing to his family's wishes?

Karl spins the spoon from his coffee. Something spins even faster inside Tony's head.

A series of strange coincidences seem to indicate that the mysterious apparitions of Fatima have changed the course of history of these last 100 years.

En 1930, l'écrivain et intellectuel Azorin dénonce une calomnie qui s'est propagée pendant près de 60 ans : la vie et les œuvres de l'archevêque espagnol Antoine-Marie Claret, fondateur des missionnaires clarétains, ont été falsifiées. Ce biopic, basé sur des événements réels, dévoile le cheminement de cette enquête qui révèle la véritable histoire de celui qui fut archevêque de Cuba et, plus tard, confesseur de la reine Isabelle II.

Valentina est une jeune pianiste qui vient d'emménager. David, son voisin, a besoin de calme pour travailler. L'amour parviendra-t-il à percer leur mur mitoyen fin comme du papier ?

The inspiring story of the beginnings of the Sister Servants of Mary, a religious order that was founded in Madrid, Spain in 1851 by Fr. Miguel Martinez and Sister Maria Soledad who guided it in its development and expansion until her death in 1887.

France, début de la Seconde Guerre mondiale. Hélène Studler est une religieuse dédiée aux soins des orphelins et des abandonnés. Mais les temps ont changé, les gens vivent une révolte entière, les Allemands sont entrés dans leur ville et la réalité qui dépasse maintenant la dureté à laquelle ils sont habitués: Hélène découvre que près de sa ville, les nazis ont installé un camp de concentration. Avec plusieurs gens de la ville, plusieurs de ses Sœurs Filles de la Charité tracent tout un plan pour libérer les captifs de leur fin tragique.

Max is a Jack Russell dog genetically modified for criminal purposes so he is able to talk. Running away from the criminals he's working for, he is wounded, then saved by detective-wannabe Alberto, who is fire and house-hunting. They end up staying with Alberto's sister-in-law Marta and her two children. Thanks to them all, Alberto finally manages to be a detective, and he and Max establish their detective agency: Sabuesos.

A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

When Gonzalo Torregrosa, owner and founder of Torregrosa Funeral Home, passes away, Dámaso Carrillo, his right-hand man in the company, doesn’t hesitate that the best for the business is taking the reins himself. However, against all odds, Nieves, the septuagenarian widow, decides to take the lead in the family business, with the assistance of her inept yet enthusiastic son-in-law, Chemi, a Marketing expert, and in defiance of her daughters’ plans to close the Funeral Home and start a gym. While Dámaso conspires and manipulates his colleagues against the new management, the company will face competition from Transitus Funeral Services and their expansion plans, as well as a #MeToo case that threatens Gonzalo Torregosa’s legacy.