Suming Rupi

Zong is a tow truck driver. He makes a living by towing away cars parked in the prohibited areas everyday. However, he feels his work is full of complaints made by the car owners. Lian, an art teacher, has a gift to see the distinct things in this chaotic world. She always feels guilty for her occasional illegal parking. One day, Lian and Zong encounter each other, and Lian's pure and simplicity turns Zong’s “emotion switch” on...

Is it possible that a group of people share our culture and fate, but are drifting in another part of the ocean? Taiwanese aboriginal musicians, Suming and Baobu, are invited to New Caledonia for a month of musical exchange. They lived with local Kanak musicians, playing music and sometimes composing together. In the end, they all found that the secret to innovation and globalization is to re-discover one’s own cultural roots.

'Cape No. 7' director Wei Te-Sheng returns to his melodic roots with Taiwan's first musical, '52Hz, I Love You.'

Min Min runs a juice stall in Taipei's Yongle Market. Her husband Bin runs a small printing business in the neighborhood. Their daughter Hsiao Lan is dating a bad boy-type that keeps her out late at night, and their youngest son Hsiao Yang is helping his best friend get a date with a local café girl. One day, neighborhood girl Hsiao Li returns home and announces her engagement to a bookseller. However, Hsiao Li is getting cold feet about the marriage and starts spending time with Bin. Meanwhile, Min Min also finds herself growing closer to Hsiang, the friendly owner of a dress-making shop in the market.

As ageing Mayaw's mind begins to fade, he hears the call of his indigenous Taiwanese homeland and its magical guardians - very far from the grey London he now inhabits.

Looking for her long-lost twin sister, a woman from Hong Kong bikes around Taiwan, joined by three complete strangers, one from Hong Kong, one from Taiwan, one from China, each biking around the island for his/her own reasons.

Panay worked in the city as a journalist. One day, she found her tribe had been overdeveloped and changed by tourism. They were losing their land and their culture, so she decided to return home to bring back the abandon terrace. In this process, she found it's not only about the land, but also about who she really is.