Javier Ulises Maestro

En charge d'une affaire de meurtre dans la haute société de l'Argentine des années 80, un flic vétéran fait équipe avec un bleu charmant qui devient son bras droit.

Hector is a pianist and needs to work at night to play for the day. He starts working as a night watchman in a television production company. Walking around and checking the entrance of staff are his duties. Everything seems to be under control until he goes to a forbidden zone. The mezzanine.

José is a boy who is living on the periphery of a true perception of reality after the death of his mother a few months ago. Meanwhile his father reminds him of his duties and obligations to help keeping the household economy and Sofia, a young girl distracts him with her invitations.

A butterfly, a creature symbolising rebirth and a new beginning, epitomises Romina’s and Germán’s world, a world that consists of two parallel realities. In one of them they grow up as siblings who desire each other and try to give shape to their love without sexual fulfilment; in the other they are a young man and woman who form an awkward friendship instead of succumbing to their feelings for each other. Germán finds himself in a discordant relationship with Mariela. Mariela’s brother is interested in Bruno. Bruno is with Romina, but wants to be with Germán. Playfully alternating between these two realities, the lovers find themselves drawn into ever new couplings in order to explore their intuitive feelings – cautiously, but at the same time prepared to lose everything.

For more than 30 years, 9 friends have religiously gathered in a roasted corner every month. When they find out that Javier, who makes the roasts, is going to live in another country, mixed feelings, betrayals and jealousy begin to emerge. Deep down, they try to mask something that none of them dares to say: for them, if the roasts are finished, their friendship ends forever.

A meeting by chance. Without wanting and without planning, a whole day together.