Inka Zemánková

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Probably the best-known advertising film for Bata, where joke and irony meet commercial purposes. Tires are sent from rural countryside to the turmoil of the city to serve progress.

A little boy, named Prdelka, traveled with his father from Prague to the country during the Second World War. There, the boy became friends with a local fisherman and learned to catch the golden eels. Eventually, his father and mother were arrested by the Nazis and the boy stayed with the fisherman.