Steve DeVorkin

Five Vietnam vets, on release from a mental hospital, think they're headed for a weekend camping trip. Instead they become target practice for an army of killers playing violent war games. It's a massacre until one of the vets becomes a machine of revenge.

Des étudiantes envoyées pour investiguer sur un scientifique sont terrorisée par un tueur psychopathe sous un masque de Richard Nixon

NASA Deep Space Tracking Facility: Radar is picking something up. An object heading towards earth, L.A., at near light-speed. Impact: 9 seconds. L.A.: A boy, not even 10 years old, is being chased by three older boys. He is holding something small, a 'Terminator' figurine. Dead end! A fence is blocking his way. He is trapped. Standing no chance he hands 'Arnie' over to the gang leader. NASA Deep Space Tracking Facility: Impact! Three... Two... One... ?... Nothing. L.A.: The bullies are leaving the crime scene, now proud owners of an 'Arnie' figurine. But something's happening, something is blocking their way... a man clad in silver, hovering on a surfboard...

A college student is injured by a malfunctioning soda machine on Highway 6. His fellow students take him to a doctor who lives in a basement bomb shelter and awaits the second coming of Elvis Presley. They can't leave, and a killer stalks them with an ax.

An eccentric fun-loving judge presides over an urban night court and all the silliness going on there.

À Boston, le “Cheers” est un bar tenu par Sam Malone, un ancien joueur de base-ball et alcoolique repenti. Au quotidien, le comptoir voit défiler nombre de piliers, à l’instar de Norm, Cliff ou Frasier. Entre deux chopes de bière, clients et employés méditent sur leurs vies sentimentales et professionnelles, se lancent des défis, comme des bouées de sauvetage. Au Cheers, l’une des serveuses se prénomme Diane. Abandonnée par son fiancé, la jeune femme un peu snob prend un virage à 90° en rejoignant Sam derrière le bar. Elle doit surtout composer avec Carla, l’une des historiques des lieux.