Kalle Lasn

Ironique et sans concession, cet essai en forme de collage virtuose réalisé autour du « gourou de l’antimondialisation » John Zerzan, dénonce les dérives du libéralisme, la coercition médiatique et publicitaire, la course insensée au profit et le gâchis produit par la société de consommation. Ses paroles croisent ici celles de Berlusconi, Bush, Chirac, Poutine, Bill Gates et Fidel Castro, sur des images des manifestations de Gênes ou des dérives consuméristes (détritus, management, publicité…). Collage, manipulation des sons et des synchronisations, répétitions suggestives, montage incisif, musique dub et électro, slogans martelés… le film utilise les mêmes techniques que la publicité et les shows télévisés. Ironique à souhait, le documentaire interroge plus qu’il ne dénonce… Note: Le film a reçu le Silver Wolf Award, Festival international de documentaires d’Amsterdam.

This feature documentary provides a gripping retrospective of United States-Canada relationships through a study of successive presidents and prime ministers. Using archival film footage, it demonstrates that Canadian prime ministers, from John A. Macdonald down, all began their tenures by making overtures to their American counterparts. Attitudes and outcomes have varied widely. The almost comic antipathy between Kennedy and Diefenbaker, for instance, is as palpable here as is the folksy camaraderie of Reagan and Mulroney. Part four of Reckoning: The Political Economy of Canada series.

This documentary looks at the microchip, an American invention exploited by the Japanese that caused a second industrial revolution. The devastating effect on millions of human lives is related through interviews with some of the newly jobless in Hamilton, Ontario. Using the example of Japan for contrast, host James Laxer demonstrates that the cost of technological advances need not be so high if their effects are foreseen and planned for. Part 2 of the series Reckoning: The Political Economy of Canada.

This documentary from 1987 looks at the serious malaise that plagued the US manufacturing sector at the time. No longer competitive in the world market, and forced to buy more than it could sell, the US nevertheless continued to bask in the glow of past glory rather than face its immediate predicament. Meanwhile, Japan and other Pacific Rim countries were gaining economic ground, perhaps permanently. This film was part one of the series, Reckoning: The Political Economy of Canada.

This documentary from 1987 looks at the serious malaise that plagued the US manufacturing sector at the time. No longer competitive in the world market, and forced to buy more than it could sell, the US nevertheless continued to bask in the glow of past glory rather than face its immediate predicament. Meanwhile, Japan and other Pacific Rim countries were gaining economic ground, perhaps permanently. This film was part one of the series, Reckoning: The Political Economy of Canada.

This documentary from 1987 looks at the serious malaise that plagued the US manufacturing sector at the time. No longer competitive in the world market, and forced to buy more than it could sell, the US nevertheless continued to bask in the glow of past glory rather than face its immediate predicament. Meanwhile, Japan and other Pacific Rim countries were gaining economic ground, perhaps permanently. This film was part one of the series, Reckoning: The Political Economy of Canada.

This short documentary is an absorbing study of Japanese business and industry. Discipline and productivity in Japan are much more regimented than in many other parts of the world. For the 110 million Japanese, survival means doing things together, rather than asserting a North American-style individualism. Japan's industry has automated and computerized at an unparalleled rate. Open-concept offices and collaborative work styles offer a model of the changing style of modern work that could inspire the West to modify their processes as well.

This short documentary is an absorbing study of Japanese business and industry. Discipline and productivity in Japan are much more regimented than in many other parts of the world. For the 110 million Japanese, survival means doing things together, rather than asserting a North American-style individualism. Japan's industry has automated and computerized at an unparalleled rate. Open-concept offices and collaborative work styles offer a model of the changing style of modern work that could inspire the West to modify their processes as well.

This short documentary is an absorbing study of Japanese business and industry. Discipline and productivity in Japan are much more regimented than in many other parts of the world. For the 110 million Japanese, survival means doing things together, rather than asserting a North American-style individualism. Japan's industry has automated and computerized at an unparalleled rate. Open-concept offices and collaborative work styles offer a model of the changing style of modern work that could inspire the West to modify their processes as well.

A portrait of Arthur Erickson, a Vancouver-based architect internationally known for his unique style. Seated in his Vancouver home, Arthur Erickson talks easily about his art, the importance of interpreting the site and of achieving harmony between environment and structure, the inseparability of climate and site, and the cultural role of a building. Five of his projects are shown. He explains how the designs evolved and what he was trying to achieve. Shot on location in Canada, Japan and Kuwait, the film introduces the man, the architect, the humanist.