Gabriele Zion

This biographical film is set in 1937, with Fallada suffering the effects of living under a microscope. The film details his decline, as he is intermittently imprisoned and threatened in order to motivate him to write for the Fatherland. Even the attention of his kind, patient wife and loving children begin to feel oppressive to him. This is one of the few films to take a serious, in-depth look at the tribulations of a creative artist pulled in all different directions by the real world.

En 1918, Karl et Richard sont prisonniers de guerre en Russie. Pour supporter leur souffrance quotidienne ils rêvent de chez eux : Richard parle tant de sa femme Anna qu’elle devient l’objet des fantasmes de Karl. Celui-ci parvient à s’échapper et, n’ayant personne qui l’attend en Allemagne, il retrouve Anna et se fait passer pour Richard. Si Anna sait que Karl n’est pas son mari, elle accueille l’étranger, sa tendresse, son amour. Les deux amants croient Richard mort et, quelque part, espèrent qu’il en est ainsi.

Two years ago, cinema poster painter Jonathan had agreed in his divorce to leave the sole custody for his son David to David′s mother Ruth. But at the boy′s ninth birthday, Jonathan all of a sudden returns to their house. In the meantime, Ruth has found a new Partner, Franz, whom David has accepted as his surrogate father. Although everybody tries to solve the new situation with a lot of tolerance, Franz and Jonathan become rivals. But this rivalry comes to an end when David has an accident. Now, the boy is allowed to visit his father Jonathan on the weekend whenever he wants to. But before that, David goes on one last adventure: On a trip to a vacation camp, Jonathan "kidnaps" his son to spend several days hitchhiking alone with his son. Then, he gets him back to the vacation camp.

Der Staatsanwalt hat das Wort was an East German television series.

Der Staatsanwalt hat das Wort was an East German television series.