Maja Gal Štromar

Adrian visits the seaside with his mother. Adrian becomes jealous when a man is interested in his mother.

The film is a homage to beauty; beauty in a visual and aesthetic sense, but primarily spiritual beauty, the beauty that normally thrives best in concert with love if we let it breathe, that is; if we are prepared to accept it and share in it. The film is playful, it does not build on the bizarre, but on aesthetics, ethics and spirituality. She and He are in T(herapy), in their individual sessions the more introverted She and the extroverted He talk about and gradually uncover a particularly strong experience that in a way represents a turning in their emotional setback. We gradually realize that they do not have a problem accepting what has happened. She would just like to know where it happened, and He would like to see it all again.

Little things in the everyday life of six different people: a pregnant woman who sets off with her daughter to give birth; her husband, who needs to take her to the maternity ward as soon as possible; a woman who is in conflict with the pregnant woman\’s husband regarding a parking dispute; her lover who wants a serious relationship; and a postman who wants this man\’s signature upon a registered letter. People always meet and their lives are interconnected, regardless of who or what they are.

Luka (19) is leaving a youth care centre, his only sanctuary for the past nine years, after his mother and relatives abandoned him. His wish is to find out where his father is buried. At his work, he falls in love with a lively girl named Ajda (19), and they begin a relationship together. While searching for answers from his past, Luka finds out a shocking family secret. He finds his only solace in the love he has for Ajda. He wants to move in with her, but Ajda hides her true feelings from him. Luka soon finds out that Ajda holds a family secret, too.

Oton, a young boy, is growing up while his hometown Ljubljana changes, from 1934, when King Alexander of Yugoslavia is killed in France, through first the Italian and then the German occupations of the city, until the arrival of Communism.

Après avoir accouché dans un hôpital, Ana entre dans un labyrinthe bureaucratique dont elle n'imagine même pas les proportions et les conséquences.

In the seventies, in the slightly envious country, you come to the cooperative sawmill, the Štefan season, which gets entangled with an older village girl, Anica, so she gets pregnant. This obstructs his life plans: get a quick start to get enough to travel to Australia. Jože also comes to Slovenia with Štefan, who is a native but lives a distant life of a special person. Anika's older sister, Marta, is married, but without children. It turns out that they used to love Marta before, and then Jose escaped to study the theology, which he never completed. Anxious Anica succumbs to her sister's escalating hatred of men, so poorly crap Martin's advice is to close Stephen somewhere until forced into marriage. The events in the temple where Štefan is closed is culminating in a mission in a village church. At the time of the death of the old Martnjakovka, Aničina and Martina mothers, the events went wrong in the crime ...