Nenad Srdelić

Au cours d'un week-end en Croatie, une femme se retrouve à être accusée du meurtre de sa meilleure amie. Alors qu'elle tente de blanchir son nom et de découvrir la vérité, ses efforts mettent à jour un secret douloureux.

In this politically charged drama, the turbulent times just following Marshal Tito's rejection of ties to Moscow comes to life. Interestingly, even in the first few years after the Yugoslavian leader's death, the subject matter of this film was considered too hot to handle, and the director had to appeal to the courts for permission to shoot it. In the story, Martin is a schoolboy with a sense of the absurd and a willingness to use ridicule to amuse himself and his classmates. He has an uncle who is high up in the nation's bureaucracy who protects him and his grandfather now that his father has died. His grandfather is too stubborn to give his farm to the local farming collective, and Martin himself is in hot water with the principal for making fun of his girlfriend, one of the students at the high school. However, as long as the uncle is able to protect them, they remain out of hot water.

After several miscarriages, Tereza's gynecologist, in an attempt to cheer her up, jokes she should try to conceive with a different partner. This remark shakes up her monotonous life and steers it in a new direction.

Summertime. The Mediterranean. Siesta. The father and son are asleep in the girls bedroom, while the dining room with sea view is bustling with life. The mother and two daughters are cleaning up after lunch. A tennis ball falls onto the balcony. The youngest daughter runs out. After talking to her boyfriend, she puts on tango music and the sisters start dancing. The mother sits down on the chair outside and looks out towards the sea. The father is awake. He looks in the direction of the sound and realizes things are about to change. Tango.