Davit Kvirtskhalia

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ცუდი ხალხი
1
After the collapse of the Soviet Union in 1991, presidential and oppositional forces confronted each other on the main avenue of Tbilisi, the capital of Georgia. Gia, a soldier of oppositional forces during the civil war, needs to get medicine for his sick son. While on a desperate search for the drugs, he accidentally encounters a school buddy, who's fighting on the opposite side.
Drama
სუბორდინაცია
1
The film depicts one of the most terrible and painful problems of Georgian reality - drug addiction. The heroes gradually lose their perception of reality and time. Everyday life becomes unbearable and unbearable, eventually the heroes will face the harsh reality.
Crime
L'Arbre du désir
6.9

L'Arbre du désir

Dec 19, 1976
Dans un petit village du Caucase du debut du siecle, la belle Marita a pour amant Guedia, jeune homme de son age avec lequel elle vit un amour qui leur semble eternel. Cependant, les anciens du village ont decide pour la jeune femme le mari qu'elle doit prendre. Ils l'obligent a epouser Sotha, jeune garcon de bonne famille. Si leurs amours ne sont pas idylliques, elles sont cependant calmes. Mais le drame va eclater le jour ou Marita revoit Guedia qu'elle n'a pas reussi a oublier.
Drama
ოქროს ძაფი
1
Elene is an 80-year-old writer who lives with her family, forced to stay home due to health conditions. Her comfort is cracked when her daughter's mother-in-law, Miranda, a former Soviet official, moves into the apartment, and Elene receives an unexpected call from an old love interest, Archil.
Drama
Heroკრატია
1
Georgian filmmaker and political activist Goga Khaindrava finished work on the documentary TV series, which is titled Herocratia and deals with prisoner torture and other government crimes against the population during the nine years Mikheil Saakashvili's National Movement was running the country. Also former political prisoners attended the premiere of the new series, which will be aired on Imedi and GDS starting from September 6. "The main idea of this film is for people to really acknowledge what kind of disaster we went through," Khaindrava told journalists. "People don't know what kind of hell some people went through."
Documentary