Maruša Oblak

Slovenian actress with the pseudonym Mary comes from a well-to-do bourgeois family. She falls in love with Petar Kocmur, a final-year architecture student. One day she finds a girl in his bed, but she throws herself into the river because nothing in her life makes her happy.

A story about sailor Maks in a crisis of his life.

Los Angeles in 1935. Fritz Lang receives in his hotel apartment the young film amateur Willy, who wants to prepare an interview with him. At a certain moment Lang starts relating how, as an army officer in the First World War, he spent some time in the house of the lawyer Karol Gatnik in a small town in the northeast of Slovenia. Lang makes friends with Gatnik and gets aquainted with all members of his family. When Lang finds out that Gatnik is a passionate film amateur and that he also possesses his own camera, they make a film together. This is probably Lang’s first contact with cinematography. Late at night Lang looks at the photographs in Los Angeles and revives in his spirit the imaginary meeting with his friend Gatnik.

Tone is convinced that his son is a sex maniac because he is supposedly looking under his teacher's skirt. But he is wrong. While he is obsessed with trying to find the reasons for his misfortune and even makes his wife miserable, his friend hints that sexuality is a matter of genes; Tone comes to a conclusion that he himself is a sex maniac.

In a small seaside town, a group of people discover their dark past and repeat their bad habits, even those from the time of inquisition and persecutions of witches. They're ought to repeat these actions as long as they start to experience love and forgiveness in some of the following stages of reincarnation.

Meet Ela: a mother of three, a wife, a friend, and a career woman. To juggle it all, she is often economical with the truth, trying to get herself out of this or that mess. The lies are mostly little, white, and harmless. Every now and then, not so much.