Martha Fessehatzion

Melanie is in her mid-thirties and works for the Brandenburg police. Her precinct is the province north of Berlin. Melanie likes it when anybody likes her. If it gets political, she keeps herself out. But that's no longer so easy when her best friend Lydia, an ex-daily soap star, makes herself important as a populist influencer with right-wing slogans in her home village and a street disappears overnight. Its bumpy cobblestones were the last evidence of a dark time when building material for the Wehrmacht was mined at the Kiessee, today a bathing area. Forced laborers and concentration camp prisoners toiled here. Elementary school teacher Anja considers it a thoughtless mess that this stone memorial to history should simply be asphalted. With brown homeland paroles, Lydia heats up the mood in the village and earns good money through clicks on the Internet. When the violence escalates, law enforcement officer Melanie, who is addicted to harmony, has to decide which side she is on.

Dans un XXVème siècle apocalyptique, une maladie a rayé la quasi-totalité de la population mondiale, à l'exception d'une ville fortifiée, Bregna, dirigée par une assemblée de scientifiques. Un groupe de rebelles vivant sous terre, les Monicans, emmené par The Handler envoie leur meilleur élément, Aeon Flux pour assassiner l'un des plus hauts dirigeants du pouvoir en place.

Retelling of the Greek myth. Grada Kilomba's 'Narcissus and Echo' is a metaphor for a society which has yet to resolve its colonial past and is incapable of seeing beyond its own reflection. The rereading can be seen as an incisive analysis on the history of a system of distortion and exclusion.

Retelling of the Greek myth. Grada Kilomba's 'Oedipus' tells a story about violence, exploring the role that fate can play for those who live in a system that reproduces cyclical oppression.

Retelling of the Greek myth. Grada Kilomba's 'Antigone' relates a story of resistance and justice, told from a black feminist perspective, in which the protagonist rebels against the colonial patriarchal system to bury her brother, transforming the burial into a political act against the oblivion of faces and reminding the spectator of the exploitation and death of black workers in colonial plantations.