Vincent Barré

Recently added

Un prince
3.8

Un prince

Oct 18, 2023

Un prince
2023 82 min 12 vues
Pierre-Joseph a 16 ans quand il intègre un centre de formation pour devenir jardinier. Il y rencontre Françoise Brown la directrice, Alberto son professeur de botanique, Adrien son employeur, déterminants dans son apprentissage et la découverte de sa sexualité. Plus tard survient Kutta, l’enfant adoptif de Françoise Brown dont il a toujours entendu parler. Mais Kutta qui est devenu le propriétaire de l’étrange château d’Antiville semble chercher autre chose qu’un simple jardinier.
Drama
Va, Toto !
6

Va, Toto !

Oct 04, 2017

Va, Toto !
2017 94 min 1 vues
L’arrivée de Toto le marcassin chez Madeleine, le voyage de Vincent en Inde et ses démêlés avec les singes, ou les rêves de Joseph provoqués par la machine à pression continue.Trois histoires que va partager Pierre et qui convoquent d’une manière ou d’une autre notre rapport à l’animal, à cet autre prochain.
Documentary
Luxna
6

Luxna

Sep 08, 2016

Luxna
2016 7 min 1 vues
Science Fiction
Luxna
6

Luxna

Sep 08, 2016

Luxna
2016 7 min 1 vues
Science Fiction
Mètis
1

Mètis

Apr 17, 2007

Mètis
2007 32 min 1 vues
A meeting between friends, two sculptors: Vincent Barré and Richard Deacon. The studio: a space for producing sculptures and for conversation, and a frame assigned to the camera. But it’s also the camera that commands us to leave this studio, to open up to another archaic workspace at the foundry, to open to its darkness dotted by incandescence. And then, even more openness, in a backward movement, the filmed image goes back to the source of its sculpted shapes. Images as proof of their relation, the landscape and rites in the Mediterranean parade: Cistercian architecture in Provence, ancient Greek sites, Holy Week processions in Sicily. Slowly, reminiscence returns, accompanied by essential texts, Empedocles and Bataille, read by Françoise Lebrun. Then, what was supposed to be illuminated gets blurred, what was supposed to guide gets scattered. Instead of informing, form gets deformed.
Détour, suivi de Jovan From Foula
1

Détour, suivi de Jovan From Foula

Apr 01, 2005

Détour, suivi de Jovan From Foula
2005 30 min 1 vues
“It was on Foula, the furthest island from the main island [Shetland Isles], that we ran into Jovan. Or rather he ran into us, coming off the ferry late in the day. The mist was thick and we looked worn-out. He took us under his wing and offered to show us around the island the following day. There is a long sequence shot of the passing scenery, taken from inside his car. Driving along the only road, Jovan pointed out to Vincent the island’s disarray: abandoned cars and tractors, heaps of rusting scrap metal. Then on another island, Papa Stour, with a view of Foula, we filmed what was to become the first part of the film.”
Aline Cézanne
1

Aline Cézanne

Apr 17, 2010

Aline Cézanne
2010 20 min 1 vues
“It begins with an exhibition at the French Institute in Munich. We had decided to create an installation together [with Vincent Barré] in the greenhouse of the Seyssel d’Aix palace: a tribute to Paul Cézanne and his final model, the gardener Vallier….We spoke about the project with one of Vincent’s childhood friends, Christine Toffin, who reminded us that she was related to the painter. Her aunt, the painter’s granddaughter, still lived at Bourron-Marlotte. We decided to go and film Aline Cézanne in her retirement home at Bourron-Marlotte….It was during the sound editing that we thought of making a film using the images we had shot for the sound. The framing is minimal – it’s fine as it is, but it was not set up with a film in mind. A year later, we went back to see Aline. Her speech had become more confused and we went off with her to the village to find the houses of her childhood.”
Petit traité de la marche en plaine
1

Petit traité de la marche en plaine

Apr 17, 2014

Petit traité de la marche en plaine
2014 26 min 1 vues
“It begins with an exhibition at the French Institute in Munich. We had decided to create an installation together [with Vincent Barré] in the greenhouse of the Seyssel d’Aix palace: a tribute to Paul Cézanne and his final model, the gardener Vallier….We spoke about the project with one of Vincent’s childhood friends, Christine Toffin, who reminded us that she was related to the painter. Her aunt, the painter’s granddaughter, still lived at Bourron-Marlotte. We decided to go and film Aline Cézanne in her retirement home at Bourron-Marlotte….It was during the sound editing that we thought of making a film using the images we had shot for the sound. The framing is minimal – it’s fine as it is, but it was not set up with a film in mind. A year later, we went back to see Aline. Her speech had become more confused and we went off with her to the village to find the houses of her childhood.”
Le paysage pour témoin. Rencontre avec Georges-Arthur Goldschmidt
1

Le paysage pour témoin. Rencontre avec Georges-Arthur Goldschmidt

Apr 17, 2010

Le paysage pour témoin. Rencontre avec Georges-Arthur Goldschmidt
2010 43 min 1 vues
“When FACIM (Foundation for international cultural activities in mountain regions) called me to propose making a film about Georges-Arthur Goldschmidt, I didn’t know him as a writer, only a little as a translator. So I immediately read his books, Le Recours and Le Poing dans la bouche, published by Verdier, which moved me deeply….I didn’t write a script. The commission was to film Georges-Arthur Goldschmidt in the places he arrived at in France during the war, in Megève, and his relationship to the region, which is very present in his books. I filmed him from day to day over four days. On returning to the places of his childhood exile, he met the families who had helped him survive, people his own age who were children at the time, whose memories were reconstituted together.”
Papa, maman, Perret et moi. Un appartement pour témoin
1

Papa, maman, Perret et moi. Un appartement pour témoin

Apr 06, 2010

Papa, maman, Perret et moi. Un appartement pour témoin
2010 30 min 1 vues
“This was, a priori, a more familiar commission, as I had lived in Le Havre – it’s actually the only town I know a little. And I’ve always liked the architecture of Auguste Perret…Annette Haudiquet, a curator at the Malraux museum, asked me to come to Le Havre. She had planned visits to different sites. We began with the Perret show-apartment, accompanied by the guides Elisabeth Chauvin and Pierre Gencey. We had lunch, I went to their home – they also live in a Perret apartment, arranged identically to the show-apartment. And I imagined the two of them with their son Vincent, as characters “acting” as the residents of the show-apartment. With this first idea, I accepted the commission: staging them as residents of the apartment when, in reality, they are the guides, between two realities, two epochs: the apartment that they live in and the one they show to people”.
Deng Guo Yuan, in the garden
1

Deng Guo Yuan, in the garden

Apr 24, 2010

Deng Guo Yuan, in the garden
2010 20 min 1 vues
During a trip to China with Vincent to meet people in art schools and universities, I discovered the work of Deng Guo Yan, the director of the Tianjin school of contemporary art. A painting style that seemed to me to be a mix of traditional Chinese painting, Claude Monet and Cy Twombly, and which I liked. The black and white of his large ink brush paintings on paper, almost the size of a mural, made it possible for me to jump from black and white to colour in this film, as I had done in the Recueil but with other connotations: with excerpts from Jean Renoir in Aline Cézanne, photos of Le Havre destroyed in Papa, Maman, Perret et moi, and infrared images taken by Georges-Arthur Goldschmidt in Le Paysage pour témoin”.
Un prince
3.8

Un prince

Oct 18, 2023

Un prince
2023 82 min 12 vues
During a trip to China with Vincent to meet people in art schools and universities, I discovered the work of Deng Guo Yan, the director of the Tianjin school of contemporary art. A painting style that seemed to me to be a mix of traditional Chinese painting, Claude Monet and Cy Twombly, and which I liked. The black and white of his large ink brush paintings on paper, almost the size of a mural, made it possible for me to jump from black and white to colour in this film, as I had done in the Recueil but with other connotations: with excerpts from Jean Renoir in Aline Cézanne, photos of Le Havre destroyed in Papa, Maman, Perret et moi, and infrared images taken by Georges-Arthur Goldschmidt in Le Paysage pour témoin”.
Drama
Petit traité de la marche en plaine
1

Petit traité de la marche en plaine

Apr 17, 2014

Petit traité de la marche en plaine
2014 26 min 1 vues
During a trip to China with Vincent to meet people in art schools and universities, I discovered the work of Deng Guo Yan, the director of the Tianjin school of contemporary art. A painting style that seemed to me to be a mix of traditional Chinese painting, Claude Monet and Cy Twombly, and which I liked. The black and white of his large ink brush paintings on paper, almost the size of a mural, made it possible for me to jump from black and white to colour in this film, as I had done in the Recueil but with other connotations: with excerpts from Jean Renoir in Aline Cézanne, photos of Le Havre destroyed in Papa, Maman, Perret et moi, and infrared images taken by Georges-Arthur Goldschmidt in Le Paysage pour témoin”.
Petit traité de la marche en plaine
1

Petit traité de la marche en plaine

Apr 17, 2014

Petit traité de la marche en plaine
2014 26 min 1 vues
During a trip to China with Vincent to meet people in art schools and universities, I discovered the work of Deng Guo Yan, the director of the Tianjin school of contemporary art. A painting style that seemed to me to be a mix of traditional Chinese painting, Claude Monet and Cy Twombly, and which I liked. The black and white of his large ink brush paintings on paper, almost the size of a mural, made it possible for me to jump from black and white to colour in this film, as I had done in the Recueil but with other connotations: with excerpts from Jean Renoir in Aline Cézanne, photos of Le Havre destroyed in Papa, Maman, Perret et moi, and infrared images taken by Georges-Arthur Goldschmidt in Le Paysage pour témoin”.
Petit traité de la marche en plaine
1

Petit traité de la marche en plaine

Apr 17, 2014

Petit traité de la marche en plaine
2014 26 min 1 vues
During a trip to China with Vincent to meet people in art schools and universities, I discovered the work of Deng Guo Yan, the director of the Tianjin school of contemporary art. A painting style that seemed to me to be a mix of traditional Chinese painting, Claude Monet and Cy Twombly, and which I liked. The black and white of his large ink brush paintings on paper, almost the size of a mural, made it possible for me to jump from black and white to colour in this film, as I had done in the Recueil but with other connotations: with excerpts from Jean Renoir in Aline Cézanne, photos of Le Havre destroyed in Papa, Maman, Perret et moi, and infrared images taken by Georges-Arthur Goldschmidt in Le Paysage pour témoin”.
Luxna
6

Luxna

Sep 08, 2016

Luxna
2016 7 min 1 vues
During a trip to China with Vincent to meet people in art schools and universities, I discovered the work of Deng Guo Yan, the director of the Tianjin school of contemporary art. A painting style that seemed to me to be a mix of traditional Chinese painting, Claude Monet and Cy Twombly, and which I liked. The black and white of his large ink brush paintings on paper, almost the size of a mural, made it possible for me to jump from black and white to colour in this film, as I had done in the Recueil but with other connotations: with excerpts from Jean Renoir in Aline Cézanne, photos of Le Havre destroyed in Papa, Maman, Perret et moi, and infrared images taken by Georges-Arthur Goldschmidt in Le Paysage pour témoin”.
Science Fiction
Sept promenades avec Mark Brown
1

Sept promenades avec Mark Brown

Jan 15, 2025

Sept promenades avec Mark Brown
2025 104 min 1 vues
During a trip to China with Vincent to meet people in art schools and universities, I discovered the work of Deng Guo Yan, the director of the Tianjin school of contemporary art. A painting style that seemed to me to be a mix of traditional Chinese painting, Claude Monet and Cy Twombly, and which I liked. The black and white of his large ink brush paintings on paper, almost the size of a mural, made it possible for me to jump from black and white to colour in this film, as I had done in the Recueil but with other connotations: with excerpts from Jean Renoir in Aline Cézanne, photos of Le Havre destroyed in Papa, Maman, Perret et moi, and infrared images taken by Georges-Arthur Goldschmidt in Le Paysage pour témoin”.
Documentary
Le Bel Été
5.2

Le Bel Été

Nov 13, 2019

Le Bel Été
2019 81 min 2 vues
During a trip to China with Vincent to meet people in art schools and universities, I discovered the work of Deng Guo Yan, the director of the Tianjin school of contemporary art. A painting style that seemed to me to be a mix of traditional Chinese painting, Claude Monet and Cy Twombly, and which I liked. The black and white of his large ink brush paintings on paper, almost the size of a mural, made it possible for me to jump from black and white to colour in this film, as I had done in the Recueil but with other connotations: with excerpts from Jean Renoir in Aline Cézanne, photos of Le Havre destroyed in Papa, Maman, Perret et moi, and infrared images taken by Georges-Arthur Goldschmidt in Le Paysage pour témoin”.
Drama