Haroon

1948 bollywood film.

An honest man instills in his only child the adage, 'Honesty is the best policy.' When the boy grows up, he has to fight for the truth and it remains to be seen if he can keep his ideologies alive.

Renu gets into a minor accident and Premendra helps her out, unaware that he is her favourite singer. Lata and Asha, Renu's friends, fall in love with Premendra.

Widowed by the sudden passing of his wife, Superintendent of Police, Choudhry, brings up his son, Rajesh, on his own, teaches him all known good values, and when he grows up sends him to College in Bombay, and remits money to him regularly. Choudhry would like to transfer to Bombay Police, so that he can be close to his son, and then one day out of the blue, his transfer is approved, and a delighted Choudhry writes to his son to pick him from the railway station. Upon arrival in Bombay, he does not find his son at the Railway Station, but when browsing through a newspaper he sees his son's photograph - wanted for the murder of a card-sharp. Shocked and dismayed, Choudhry attempts to piece his life together and attempts to find Rajesh before the City Police do - for he may well face the death sentence. Choudhry does find him, but only after Rajesh is accused of killing a woman named Kishori, and this time Choudhry is quite sure that there is no hope for Rajesh.

Sangam is a Pakistani Urdu film released in 1964, directed by Zahir Raihan starring Rosy Samad, Khalil, Haroon Rashid and Sumita Devi. This is the first full-length colour movie made in entire Pakistan. This was the fourth film by Zahir Raihan (1935-1972) who later went on to direct more films in Urdu and Bengali during the 1960s. Zahir Raihan became one of the most important filmmakers of East Pakistan, which later became Bangladesh in 1971. Although Sangam was an Urdu film, but most of the cast, playback artistes and crew were from the Bengali-speaking Eastern province.

Fed up of Dilip's involvement with gold digging actress Nayantara, Dilip's uncle pretends to be gravely ill in hopes of guilting him into marrying a decent girl. Dilip convinces reluctant Kiran to pretend to be his fiancée. Dilip and Kiran soon fall in love, and Nayantara decides to intervene.

A former theater owner and his crippled daughter live in poverty until a chance encounter with a young pickpocket brings romance for the petty criminal and daughter as well as a chance by the father to get back at the villainous new theater owner who ousted him from the business years before.

Un réalisateur de renom, Suresh Sinha, recrute une nouvelle actrice pour son film. Un drame familial l'empêche de réaliser les films qui lui conviennent. En raison des tourments émotionnels, le réalisateur tombe de haut, tandis que l'actrice qui est maintenant la reine de l'industrie tente de le sauver...

A young, naive heiress is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt.