Camila Fabbri

A lie is a declaration of someone who believes or suspects that is entirely or partially false and expects people to believe it, so the truth can be entirely or partialy hidden. Fictions, even when they are false, are not regarded as lies. Malena and Lucas maintain a dead relationship neither is willing to end for different reasons. Fears, insecurities, third parties involved, and their imposibility to face the truth forces them to lie (each other), and according to the dictionary the people who often do that are characterized as liars.

A young woman proposes to the passengers of a full bus a change in seats. On the trip they will discover that, regardless of the result, it is always good to review the established order.

Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.

Martín et Laura, la trentaine, se retrouvent par hasard dans la même résidence lors d’un séjour à la mer. L’occasion de se redécouvrir à deux, et à trois avec le fils qu’ils ont eu ensemble adolescents, dix-huit ans auparavant.

Laura is spending a few days at her beach house to supervise the construction of a barbecue shed. One afternoon, she seduces the chief builder, who never returns. Over the following days, the builders continually invade her home – until Laura grows ferocious.

Clara is on her way out of the city on a family trip to the outskirts. She receives a message from Martina, her childhood friend, the person she'd been with the night of the tragedy at the República Cromañón club, bringing the idea of motherhood into the foreground. This shot of the present day and reality in a series of WhatsApp texts, home videos and family lunches sparks an exhaustive look back at her own adolescence and that of her friends in a city ravaged by the crisis and by a tragedy.

Clara is on her way out of the city on a family trip to the outskirts. She receives a message from Martina, her childhood friend, the person she'd been with the night of the tragedy at the República Cromañón club, bringing the idea of motherhood into the foreground. This shot of the present day and reality in a series of WhatsApp texts, home videos and family lunches sparks an exhaustive look back at her own adolescence and that of her friends in a city ravaged by the crisis and by a tragedy.