Alexandra Milne

Hollis suffers from an affliction; anyone who gets too close to him dies.

Loosely based around the myth of Perceval, the film brings to life a short selection from the much larger and sprawling narrative of Fucked Up's latest 4-part concept album Year of the Horse. Blanche, the story's protagonist, experiences an awakening to the world around her while her mother, Kaye, continues to live in fear of it.

Set to the backdrop of her suburban town’s evacuation, thirteen-year old Nora enlists the help of the boy next door to search for her apathetic big sister, who has snuck out to party with an older boy with questionable intentions.

A piece of writing with real danger and which focuses on a mysterious mafia of violent Viet Nam Vets living on freight trains who are akin to Hell's Angels without the Harley. The net is closing since they are being pursued by relentless railroad agents. They may be a repugnant set of people and the film will disturb and provoke the audience that sees it but it follows what John Steppling (also writer of '52 Pickup' directed by John Frankenheimer w/ Roy Sheider and Ann Margaret and 'Animal Factory' directed by Steve Buscemi w/ Willem Dafoe. Mickey Rourke. Ed Furlong) believes - 'Art is not your friend'.

Hollis suffers from an affliction; anyone who gets too close to him dies.

Raymond « Red » Reddington, l’un des fugitifs les plus recherchés par le FBI, se rend en personne au quartier général du FBI à Washington. Il affirme avoir les mêmes intérêts que le FBI : faire tomber des criminels dangereux et des terroristes. Reddington coopérera, mais insiste pour ne parler qu’à Elizabeth Keen, une profileuse inexpérimentée du FBI. Keen s’interroge sur l’intérêt soudain que Reddington lui porte, bien qu’il soutienne que Keen est très spéciale. Après que le FBI a fait tomber un terroriste sur lequel il a fourni des informations, Reddington révèle que ce terroriste n’est que le premier de beaucoup d’autres à venir : durant les deux dernières décennies, il a fait une liste des criminels et terroristes qu'il croit introuvable par le FBI parce que ce dernier ignorait leur existence et que ce sont les plus importants. Reddington l’appelle « La Liste noire » (« The Blacklist »).