Peter Manning

The priestess Norma loves Pollione, leader of the occupying force suppressing her people, and has borne two children by him. But Pollione’s love has withered, and he now loves Norma’s fellow priestess Adalgisa. Meanwhile, the people urgently look to Norma to lead their rebellion. Norma discovers the love between Pollione and Adalgisa. Furiously she gives the signal for war. Pollione is captured, attempting to steal away with Adalgisa. Norma, called upon to announce a sacrificial victim to consecrate the uprising, declares it shall be a guilty priestess: herself.

Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.

Signé en 1968, le 4ème protocole réunit les États-Unis, l'URSS, la France et la Grande-Bretagne. Il interdit à toute nation possédant la force nucléaire d'introduire clandestinement toute arme nucléaire, en pièces ou entière, dans un territoire étranger. Vingt ans plus tard, le KGB met au point un plan très discutable.

The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.