Solomon Golding

Deux jeunes danseuses classiques talentueuses se battent pour obtenir la première place afin d'intégrer l'Opéra national de Paris.

The Dream: Frederick Ashton’s delightful interpretation of Shakespeare’s A Midsummer Night’s Dream is a classic of The Royal Ballet’s repertory. Symphonic Variations: Ashton was inspired to create a ballet on the four seasons – but as he began to choreograph he refined and purified until the ballet shook off its original meaning, emerging as an abstract celebration of movement and physicality. Marguerite and Armand: Marguerite, a Parisian courtesan, lies on her deathbed. She recalls her tragic love affair with Armand in a series of feverish flashbacks.

The film follows Solomon Golding (the first black British male to be accepted in to the Royal Ballet Company) as he partakes in a fictional underground ceremony that has been going on since the early 90s in the Black (specifically Jamaican) Communities of London. The Ceremonies take place every month and revolve around men showing off chainmail garments they have painstakingly made. Kudos is given for intricacy, design and overall weight of the chainmail worn.

At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole events become curiouser and curiouser.

Twenty follows Emily, a homeless ballet dancer undertaking a potentially life-changing audition. In the audition room, identified by the auditioners as the girl wearing the number twenty, Emily is graceful and poised. Still, in the real world, she struggles to find somewhere to sleep, let alone focus on her artistry.