Claudia Mattai del Moro

Non-binary film maker Toni Karat invited queer and sex-positive people of the ‘Berlin porn bubble’ for this impressive documentary about narcissism and self-love. In authentic and touching self-reflective interviews ten protagonists who are as diverse as possible – lesbian, gay, queer, trans, non-binary and often over 50 – tell their sexual stories and contemplate their personal journeys and struggles. It’s an almost philosophical little masterpiece with a lot of honesty and authenticity on both sides of the camera.

In early spring she sings a sacred cantata. With her song, she invokes the spirit of Hades to tease and thrust her back towards the Underworld. She continues to sing throughout her own undoing.

In early spring she sings a sacred cantata. With her song, she invokes the spirit of Hades to tease and thrust her back towards the Underworld. She continues to sing throughout her own undoing.

One’s own family is not always easy. Protagonist Akosua is queer, Ghanaian-German, polyamorous, and she wants a child. Her friend, director Mala Reinhardt, accompanies her for three years on her journey through Germany and Ghana in search of her identity and belonging in a multicultural context.

Two lesbians meet in a Berlin queer bar. And a fantasy unfolds.

In this film, we visualize the fantasy of being dominated by a professional dom. Someone who knows to ask the right question and provides a safe environment which allows us to fully submit. Being dominated by a professional feels more like a safe space in our heads. Someone who can guide us through our own kinks and desires with a strong, firm hand. In this narrative, we focus heavily on consent exchanged in a BDSM environment. How do you check in about boundaries and desires? How do you demand a change but remain the dominant in charge? Communication is sexy – especially in BDSM. Shot in the Wood Room at Studio LUX in Berlin.

In this film, we visualize the fantasy of being dominated by a professional dom. Someone who knows to ask the right question and provides a safe environment which allows us to fully submit. Being dominated by a professional feels more like a safe space in our heads. Someone who can guide us through our own kinks and desires with a strong, firm hand. In this narrative, we focus heavily on consent exchanged in a BDSM environment. How do you check in about boundaries and desires? How do you demand a change but remain the dominant in charge? Communication is sexy – especially in BDSM. Shot in the Wood Room at Studio LUX in Berlin.

In this film, we visualize the fantasy of being dominated by a professional dom. Someone who knows to ask the right question and provides a safe environment which allows us to fully submit. Being dominated by a professional feels more like a safe space in our heads. Someone who can guide us through our own kinks and desires with a strong, firm hand. In this narrative, we focus heavily on consent exchanged in a BDSM environment. How do you check in about boundaries and desires? How do you demand a change but remain the dominant in charge? Communication is sexy – especially in BDSM. Shot in the Wood Room at Studio LUX in Berlin.

During a robbery at KaDeWe, of all places, a magical encounter occurs between Hedi, a saleswoman in the textile department, and Fritzi, the daughter of KaDeWe owner Adolf Jandorf. It is love at first sight: Against all social and family odds, the two disparate young women begin a passionate relationship. At the same time, Fritzi's older brother and war returnee Harry is fighting for his father's recognition as the new junior manager of KaDeWe - and against his own despair. At Harry's side is Georg, a general manager placed in front of him by his father, who has worked his way up from a poor background to the top echelons of KaDeWe. Georg, of all people, will play a decisive role in the future fate of the department store...