Rishi Kaushik

Abohomaan tells the story of Aniket, one of the finest filmmakers of Bengal in eastern India and the loves of his life. Devoted to his craft, Aniket met and fell in love with his wife Deepti, an actress, while they worked together on the set of a film. They were so in love that Deepti sacrificed her own career for her husband's and for their son Apratim, but lost a little of who she was in the process. The plot thickens when Aniket auditions a young actress, Shikha, who bares an uncanny resemblance to his wife when she was younger. Deepti enthusiastically begins to coach Shikha for her husband's film - so much so that Shikha becomes even more like the girl Deepti used to be and as a result the aging Aniket falls in love with Shikha, a woman as young as his son, despite the sadness and trouble it brings to his family.

Jeet,with his parents and sister, comes to kolkata in their new residency as tenant.From that day they face a lot of difficulties such as wayward boys tease her sister, local goons harass common people.In his new collage the whole environment is controlled by Deva who is the younger brother of Vishnu,the don of kolkata.But jeet doesn't tolerate this and tries to make a revolution among the students,teaches them how to protest against injustice.However in some close encounters with Vishnu's gang,his sister gets molested,his father & friend get killed.Now nothing to lose & devastated he swears revenge on Vishnu & his henchmen.

The Sanyals are a large extended family composed of the nonagenarian grandfather (Haradhan Banerjee), his son (Ranjit Mallick), daughter-in-law (Laboni Sarkar) and their children of whom two, a daughter (Koel Mallick) and a son (Rishi Kaushik), live together in a mansion in Bhawanipur. There seems to be more servants in their house than family members, extending the virtues and parameters of the ideal ‘joint’ family. The film starts with everyone being excited about the return of the elder son (Babul Supriyo) from the U.S., where he had gone for work. However, all hell breaks loose when he returns with a wife (Rituparna Sengupta) and her child from a former marriage in tow.

A child named Mirza joins the crime world and gradually rises to power. Violence erupts as ganglords try to bring Mirza down.

Arnab's life turns upside after the authorities press false charges against him and send him to jail. When his wife is killed, he sets out to exact revenge against the culprits who destroyed his life.

Meghla, who after years discovers that her grandmother had been killed in her ancestral home in East Pakistan by a trusted retainer of the family. And many years after the tragedy, she visits Dhaka to trace her roots and faces the murderer's family who now occupies her house. Maati traces Meghla's trials with truth and humanity while tackling issues of migration, human displacement, and relationships.

Abandoned at birth, Amon has been raised as a tribal village girl and aspires to create an identity of her own as a journalist in one of Kolkata's leading newspapers. A chance encounter with the city-bred and jovial Ankur will change Amon's fate forever as love blossoms between the two while Amon's quest to find her roots and become independent continues.

Estranged childhood besties Babla and Mampi meet in the small village of Pathorkuchi after 15 years.