Dragan Pešikan

Three stories about the impact of three God's miracles in the medieval sense that happen to the film's heroes living in a post-communist society that, after half a century of atheism, re-learns about Christianity.

Usually it is us who choose the dog, but sometimes the dog chooses us. By choosing one dog, Aleksandra, Jovana and Marija come into conflict with a criminal gang led by Sergej, a ruthless dealer. Aleksandra's American ID and her fiancee's FBI pass lead the criminals to mistake this for an international operation, and since the local cops are corrupt, the three girls are left with no choice but to take matters in their own hands.

Usually it is us who choose the dog, but sometimes the dog chooses us. By choosing one dog, Aleksandra, Jovana and Marija come into conflict with a criminal gang led by Sergej, a ruthless dealer. Aleksandra's American ID and her fiancee's FBI pass lead the criminals to mistake this for an international operation, and since the local cops are corrupt, the three girls are left with no choice but to take matters in their own hands.

This eye-opening and bittersweet chronicle of the Yugoslavian film industry recounts how the cinema was used—often with direct intervention from President Josip Broz Tito—to create and recreate the young nation’s history, replete with heroes and myths that didn’t always hew closely to reality.

Three young women from Belgrade, Jelena, Katarina and Marija, meet by accident in New York City. Each has her reasons for leaving Belgrade: Katarina left in the mid 90s in search of a better life, Jelena fled the bombing in the late 90s... Marija's boyfriend, whom she was going to marry, was killed in the war, prompting her to leave the country for good.