Lan Qing

Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.

No known plot

HK drama film.

Girls in Transformation is about an experiment conducted by assistant professor at the Shi Liangde University to demonstrate her "non-hereditary human theory," in transforming rural girls into modern women.

Tao Zutai, a bank employee, has five children. Tao's wife is addicted to gambling and spends too much and the eldest daughter Guiru is greedy for vanity. Tao is overjoyed when he is notified that he will be promoted to deputy manager.

A wedding musician fails to wed his own love: Little Trumpet is raring to marry his childhood sweetheart, but a series of setbacks has prevented them from getting their way. Criticism against social formalities becomes all the more forceful with the clever use of contrast and irony, not to mention the realist and comedic touch a la Zhu Shilin. Of special mention is the famous teahouse scene where dynamic, melodic camerawork creates a hilarity that continues to amaze to this day. A genuine masterpiece with every single detail, down to the minor props, forming an integral part of a whole. Today, young couples are struggling nonetheless to get a roof over their heads, a testimony to the fact that poverty still reigns beneath the facade of harmony and stability after all these years.

An imprisoned swordsman is accused of killing three men. He probably would have already been executed for his crimes but is kept alive because he knows the whereabouts of hidden gold.

Nurse Lin is hired by a wealthy family to care for Mr. Kao, who has lost his mind since his daughter, Ling Kuan, died. As Lin resembles Ling Kuan, her nanny asks Lin to impersonate her to help Mr. Kao recover, which works well. Lin then uncovers a secret: Ling Kuan had loved a music teacher, Qiufan, but her cousin, Yiu Tong, envious of Mr. Kao’s wealth, slandered Qiufan. One night, Yiu Tong attacked Qiufan and attempted to assault Ling Kuan, accidentally killing her. To cover up the crime, he staged her death as a suicide. Later, Nurse Lin and Qiufan, pretending to be ghosts, trick Yiu Tong into confessing. In a panic, Yiu Tong escapes, but his mistress Huigu causes a fire that kills them both. Disheartened by the truth and his burning home, Mr. Kao walks into the flames.