Νίνα Παπαζαφειροπούλου

The stories of three lonely people surviving a sweltering summertime in Athens are interwoven in this gentle romantic drama. Nikos used to be a merchant seaman, traveling around the globe to exotic places and testing his wits and his mettle in different situations. Now he is retired, living in Athens with his wife whom he no longer loves. While at the train station, he encounters a woman who faints more or less into his arms. From her, he learns that this day has already been special to her for two reasons: her husband just died, and it is her birthday. Curiously, this meeting sparks new life in him. Another man suffering through the hot Athens summer is a bank employee who gets calls every day at four p.m. from a woman who seeks to arouse him. What she succeeds in doing is rousing his curiosity, which he is likely to regret giving in to.

The years of the storm are Greek historical - dramatic - adventurous film of 1984, directed and directed by Giorgos Tzimas . Starring Michalis Stamatakis Katerina Koutroupida and Menelaos Daflos. Two fighters, cut up in the mountains, after the defeat of the Democratic Army in 1949, are trying to return to their homes.

Gender-bender comedy directed by Omiros Efstratiadis.

De 1939 à 1952, une troupe de comédiens sillonne les petites villes de Grèce pour donner des représentations. Lorsque la Seconde Guerre mondiale éclate, la comédie naïve qu’ils jouaient alors est vite remplacée par une tragédie. Malgré l’oppression politique et les drames qui se jouent entre les membres de la troupe, les comédiens continueront de jouer et de résister jusqu’au bout.

Tamtakos after a long time of period returns back to his tent bringing a woman with him, he has just stole her from her marriage.

Voula, une adolescente accompagnée de son jeune frère Alexandre, décide de traverser la Grèce pour rejoindre l’Allemagne où vit leur père qu’ils n’ont jamais connu. Ensemble, ils se lancent à cœur perdu dans un voyage semé d’embûches et de rencontres masculines parfois dangereuses et souvent décevantes. Mais à la lisière du rêve, les deux enfants avancent sans cesse, sans se décourager, vers la quête de cette figure paternelle absente et idéalisée.