Lidia Vulkova

Maya lives in Burgas on the coast of the Black Sea. She's a young woman trying to find herself. The film features the poetry of Petya Dubarova and is loosely inspired by her life.

The beginning of the 18th century. Bulgaria is under the Ottoman bondage. The monks of the Monastery of Hilendar on Mount Athos warn the young monk Paisiy to beware of the "pestilent chapel". On his deathbed, the abbot conjures Paisiy to search for Slavonic books. The young monk goes from one monastery to another in search of ancient books. He breaks into the "pestilent chapel" and finds there stacks of old Bulgarian books telling of the wisdom of Bulgarians kings, and of the power and civilization of the Bulgarian Empire and its past glory. His fellow-monks try to burn the books but Paisiy manages to escape. His Slav-Bulgarian History circulates in handwritten copies through the captive country and the Bulgarians becomes truly aware of their national identity.

In 1944 Bulgaria switches sides and joins the war against Germany. The story focuses on the advance of the Bulgarian army through Yugoslavia and Hungary, as well as its internal struggles.

Shooting of a picture: to those, familiar with only from the screen, it is a entertainment. So, in a quiet Sofia street, a shooting crew starts their work. Bypassing begin to throng, curious people are looking out of the windows of the surrounding buildings. A scene is being shot of s short dialogue between the protagonists. It goes wrong all the time and is never complete. The mess gets beyond the comical, the true relations between the members of grew show and they do not look that excellent. At long last, the final scene is shot and the street is quiet again.

Boev, an enthusiastic form master, is trying hard to establish rapport with his final-year students. His frankness, buoyancy and good nature soon make him a universal favorite. The only one who does not approve of him is headmaster who loves his job, but is not aware of how dated his own views are and cannot understand the young teacher. Apart from this, Boev comes in into particularly sharp conflict with his colleague and childhood chum Kiril who is consumed by jealousy and the ambition to get promoted quickly.

A lawyer must decide whether to help a young man.

Kaloyan returns home to handle the sale of his late father's apartment. At the beginning the process starts as a routine mundane task, but soon transcends into a journey of self-discovery that tries to track the connection between childhood trauma, memory and the passage of time.