Daisy Campbell

A widow's son refuses to be adopted by a Lord when he learns the Lord is her father.

The White Shadow is a British drama film directed by Graham Cutts based on the novel "Children of Chance" by Michael Morton. Alfred Hitchcock worked on it as assistant director and also handled the writing, editing, and art direction. The film was long thought to be lost. In August 2011, it was announced that the first three reels of the six-reel picture had been found in a garden shed and donated to the NFPF. The film cans were mislabled Two Sisters and Unidentified American Film and only later identified. The film was restored by Park Road Studios and is now in the New Zealand Film Archive. Preserved by the Academy Film Archive in partnership with National Film Preservation Foundation in 2012.

A young woman doesn't want to get married, but simply live together with the man she loves. This leads to problems when the man dies and she's left with a child.

An IRA man races to Dublin to warn his colleagues of a forthcoming raid, but he is captured by British forces.

A Lady adopts a runaway slum girl who resembles her own dead daughter.

'Press lord ruins sailor father of son's fiancée.' (British Film Catalogue)

A country girl inherits, weds a Duke, and meets her dead brother's family.

An Earl's reformed son fakes a relapse on learning his sweetheart loves another, and dies saving his life.

A British-German silent drama film directed by Henrik Galeen

Un homme trahit son meilleur ami, membre d’une organisation terroriste et est ensuite poursuivi par les autres membres de l’organisation.

The luminous Maria Corda stars as the eponymous Tesha, a celebrated Russian dancer who marries an Englishman (Thomas). The couple long for a child but after five years of happy marriage, remain childless. On a trip to Southampton Tesha succumbs to a brief fling with a stranger (Cavanagh), unleashing a barrage of unforeseen consequences and emotional turmoil. The superb cinematography is by the great German cinematographer Werner Brandes who worked on dozens of prestige British productions in the 1920s. Originally shot silent, sound was added in 1929.