Emanuel Cutajar

Set a few decades ago. The serene, even joyful atmosphere, created by Mario Lanza's "Funiculì, Funiculà" and the soft lighting characterize the normal morning routine of a father and his son. This turns into tragedy as the son experiments with his first and last shave.

This is an anti war film where we see a soldier's psychological state deteriorate due to the effects of war. It is not set in any particular time or war as it is meant to represent the soldier's post-combat state of mind.

This music video depicts a slice of life of a family where the baby's innocence and joy of life contrasts starkly with the sadness and existential angst of his parents.

John, un étudiant maltais avec un sérieux manque de sommeil, vient de passer quelques jours mouvementés et épuisants. Une nuit, il en paye le prix alors qu'il rentre du travail en voiture. Sa disparition donne lieu à une série d'événements circonstanciels au cours d'une nuit tragique.

I Yam What I Yam...L'invenzione' is centered around the collision of two films originally shot on the same location; Emidio Greco's 'L'invenzione di Morel' (1974) and Robert Altman's 'Popeye' (1980). In Greco's film a shipwrecked man stumbles upon an ultra-modernist mansion. In it he finds a group of people trapped in a perpetual present facilitated by a machine that's capable of reproducing reality. Sant's reinvention of this film is shot on the same location, follows the same storyline, but occupies another world. In place of the mansion, he finds himself in 'Sweethaven' - the set of Altman's 'Popeye'. Though there is no trace of Greco's set, Altman's 'Sweethaven' remains - echoing Greco's plot by existing as an open-air museum where costumed entertainers re-enact scenes.