Bénédicte Mallet

Deux ou trois choses que je sais de Joseph Morder, ce sont deux films : le film de l’image et le film de la voix. Le film de l’image : ce sont des extraits de mes Carnets filmés de l’année 1999 (Derrière la nuit), qui concernent le tournage de mon film Le Journal de Joseph M. Le film de la voix : c’est la lecture, par Mauricio Hernandez, de mon texte Deux ou trois choses que je sais de Joseph Morder.

A French director in Berlin creates a film letter to his lover, while reminiscing over their relationship.

Guillaume, thirty years old, a man of images who never goes out without a filming device, decides one morning to take a voyage to Rouen empty-handed.

Guillaume, thirty years old, a man of images who never goes out without a filming device, decides one morning to take a voyage to Rouen empty-handed.

In his five-decade career, the 1950s and 1960s were Frank Sinatra's Golden Age. He was at the top of his game in music, film and television, becoming the most popular artist on the planet.

They made the first films about the king of animals, the pygmies of the Ituri forest, the first aerial photographs of Mount Kenya and Kilimanjaro... "Lovers of Adventure" recounts the incredible lives of Martin and Osa Johnson, who, in the first half of the 20th century, opened millions of Americans to the unknown.

Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. This epic documentary changed the way we think about the Holocaust. Featuring interviews with survivors, bystanders, and perpetrators from across Europe, mostly Poland and Germany, Shoah is drawn from over 300 hours of contemporary conversations with these witnesses, along with footage of overgrown sites of unspeakable horrors, including the concentration camp at Auschwitz. The monumental film grew out of Lanzmann's concern that the genocide perpetrated only 40 years earlier was already being forgotten. In response, he relied entirely on accounts from witnesses, rather than historical footage or reenactments, sometimes resorting to hidden cameras or other deceptions to coax stories and memories from those with whom he spoke.