Steve Wax

Documentary - With David Schickele's dreamy, retro soundscape, CINE MANIFEST captures a resilient group of artists reminiscing about a time when people weren't afraid to fight for their ideals, while also creating a stirring tribute to American independent filmmaking. - Eugene Corr, Peter Gessner, John Hanson

1968: Martin Luther King, Robert Kennedy, and Bobby Hutton are among the recent dead. In Nigeria, the Civil War is entering its second year with no end in sight. In San Francisco, the adventures of Gabriel, a young Nigerian reflects tribal, personal, and racial frictions during the tumultuous sixties. Truth is stranger than fiction in Bushman, a rare sort of film portrait, part document, part imagined - poetic in its approach to real events.

Educational film about exclusion and anger meant to be shown in classrooms, with a discussion afterwards.

A dramatic feature from Cine Manifest, Over-Under, Sideways-Down explores the politics of everyday life in America. The film centers on a working-class couple, Roy and Jan Stennis (played by Robert Viharo and Sharon Goldman), who live, with their two children, in a cramped tract home. An assembly line worker in a steel plant, Roy entertains the escapist fantasy of moving from the local semi-pro baseball team for which he plays third base, to the big leagues. "It's just a matter of being in the right place at the right time," he figures. However, when Roy simultaneously loses his job (by being at the right place at the right time - coming to the defense of a black co-worker and thus being branded a trouble-maker) and his one chance to impress an interested baseball scout, his life begins to unravel. The strains on his marriage increase, intensified by Jan's decision to take a job, and Roy begins to isolate himself both from his family and his fellow workers.

A dramatic feature from Cine Manifest, Over-Under, Sideways-Down explores the politics of everyday life in America. The film centers on a working-class couple, Roy and Jan Stennis (played by Robert Viharo and Sharon Goldman), who live, with their two children, in a cramped tract home. An assembly line worker in a steel plant, Roy entertains the escapist fantasy of moving from the local semi-pro baseball team for which he plays third base, to the big leagues. "It's just a matter of being in the right place at the right time," he figures. However, when Roy simultaneously loses his job (by being at the right place at the right time - coming to the defense of a black co-worker and thus being branded a trouble-maker) and his one chance to impress an interested baseball scout, his life begins to unravel. The strains on his marriage increase, intensified by Jan's decision to take a job, and Roy begins to isolate himself both from his family and his fellow workers.

A UCLA student film by Steve Wax. A poetic mood piece dealing with the death of an old man's spirit of romance and self-esteem. Award winner: 1967 San Francisco, Foothill College, and National Student Association Film Festivals. "This film presents the psychological problems of old age in a way seldom seen. It is recommended for discussion and possible use in worship services with junior highs through adults." - Media for Christian Formation

A UCLA student film by Steve Wax. A poetic mood piece dealing with the death of an old man's spirit of romance and self-esteem. Award winner: 1967 San Francisco, Foothill College, and National Student Association Film Festivals. "This film presents the psychological problems of old age in a way seldom seen. It is recommended for discussion and possible use in worship services with junior highs through adults." - Media for Christian Formation

Tim Donovan, a juvenile probation officer for the city of Boston, is assigned the case of Nikki, a troubled teenage girl who's been arrested for Assault & Battery. Tim quickly falls under the attractive Nikki's spell, convinced her delinquency is deep-rooted, and sets out to uncover the truth.