Louise Gagnon

A seemingly idle guy and an unprincipled girl to whom everything seems to come easily will see their lives sealed in a brutal way.

Dans un quartier pauvre, des adolescents complotent un assassinat tandis qu'une fête est organisée pour l'usurier local.

Charles Méthot, propriétaire d'un bar menacé de faillite, accepte la gérance d'un bar de banlieue pour sauver son propre commerce. Après une aventure sentimentale décevante avec une danseuse, Charles décide de profiter du mariage de sa fille pour fermer définitivement son bar.

In this tragicomedy, Toni is the director of a staged rendition of Othello in Montreal. It is a pet project of his, financed by his loving mafia uncle. Unbeknownst to him, the audiences are also rounded up (and paid) by the same uncle. Some of them have seen every performance of this tragic play, and are understandably bored, so when the backstage romantic shenanigans of the actors result in absurd situations onstage, the audience is delighted. There are a huge number of romantic situations going on in this film at the same time. One of them involves Gaston a somewhat world-weary jazz musician, and Florence, a glamorous middle-aged woman who has been pining for him for years. Another involves to members of the musician's jazz trio. Yet another involves the play's Desdemona, Soledad, the girlfriend of the man playing Othello, who can't keep his hands off his (female) dresser.

A friendship between a good man with bowling as his only passion and a queer albino.