Jason Moran

The Disappearance of Miss Scott chronicles Hazel Scott’s meteoric rise as a jazz talent and major Hollywood star before being blacklisted during the Red Scare.

For this project Ligon originally intended to re-create the last scene of a 1903 silent film adaptation of the novel Uncle Tom’s Cabin from 1852. In the film, white actors in blackface played the principal roles. Tom, the film's protagonist and a slave, dies in the final scene, and images of the future—including the end of the American Civil War and the emancipation of slaves—materialize behind him. After footage of his reenactment was processed, Ligon discovered that the film was blurred and the imagery had disappeared. Leaving the footage unedited, he added a commissioned score played by the jazz pianist Jason Moran. In the final work, a cinematic scenario deeply intertwined with the complex and painful history of representations of ethnic difference has been transformed into a series of abstract black, white, and gray traces.

For this project Ligon originally intended to re-create the last scene of a 1903 silent film adaptation of the novel Uncle Tom’s Cabin from 1852. In the film, white actors in blackface played the principal roles. Tom, the film's protagonist and a slave, dies in the final scene, and images of the future—including the end of the American Civil War and the emancipation of slaves—materialize behind him. After footage of his reenactment was processed, Ligon discovered that the film was blurred and the imagery had disappeared. Leaving the footage unedited, he added a commissioned score played by the jazz pianist Jason Moran. In the final work, a cinematic scenario deeply intertwined with the complex and painful history of representations of ethnic difference has been transformed into a series of abstract black, white, and gray traces.

Friends meet at the crossroads of loyalty and morality and are forced to decide which path to walk.

An exploration of the nexus of art, race, and justice through the story of art collector and philanthropist Agnes Gund who sold Roy Lichtenstein’s painting “Masterpiece” in 2017 for $165 million to start the Art for Justice Fund to end mass incarceration.

An uninterrupted 58-minute capture of the action on an unfenced basketball court adjacent to the Walt Whitman housing projects in Fort Greene Brooklyn, New York.