Paulo Carneiro

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Périphérique Nord
1

Périphérique Nord

Apr 15, 2022
A car aficionado, filmmaker Paulo Carneiro travels 2000 kilometres to meet car enthusiasts of the Portuguese community in exile. In a pop and urban universe, Périphérique Nord explores this shared passion and the freedom it provides for these exiled persons who seem to finally find (once again) a territory of their own.
Documentary
On Plains of Larger River & Woodlands
1
Steeped in the isolation of suburban Tasmania, Imogen and Audrey reflect on their lives, families and dreams between puffs on bongs, vapes and cigs. Dark clouds approach in the conversation and landscape as local wildlife looks on indifferently. Beyond the drugs and arcades, what possible routes of escape remain?
Documentary
Madness
5.5

Madness

Feb 17, 2018
Lucy, regarded as crazy, has a son.
Death of a Mountain
1

Death of a Mountain

May 04, 2023
From a human point of view, a mountain is a barrier and a place of passage. Mountains have always been natural frontiers between territories. Nuno Escudeiro collected stories in Briançon, in the French High Alps, and in the Susa Valley, in the western part of Piedmont, and to these he added home movies from the Superottimisti Archivo di Film di Famiglia.
Água para Tabatô
1

Água para Tabatô

Oct 25, 2014
In mid-summer 2011, Paulo Carneiro and set out as assistant director for a film crew working on a project on the west African coast. There he unexpectedly ended up shooting his own film, a documentary report about a sinking ship near the coast of Guinea-Bissau on which he was a passenger. The digital camera records the growing panic on the ship after it has gotten stuck in the ocean in an oppressive nighttime atmosphere. In shaky interview footage, we see passengers move from an initial apathy to nervous anxiety, and from there fluidly to a fear for their lives. The growing tension on board is reflected in the film's ever quickening tempo.
Documentary
Água para Tabatô
1

Água para Tabatô

Oct 25, 2014
In mid-summer 2011, Paulo Carneiro and set out as assistant director for a film crew working on a project on the west African coast. There he unexpectedly ended up shooting his own film, a documentary report about a sinking ship near the coast of Guinea-Bissau on which he was a passenger. The digital camera records the growing panic on the ship after it has gotten stuck in the ocean in an oppressive nighttime atmosphere. In shaky interview footage, we see passengers move from an initial apathy to nervous anxiety, and from there fluidly to a fear for their lives. The growing tension on board is reflected in the film's ever quickening tempo.
Documentary
Água para Tabatô
1

Água para Tabatô

Oct 25, 2014
In mid-summer 2011, Paulo Carneiro and set out as assistant director for a film crew working on a project on the west African coast. There he unexpectedly ended up shooting his own film, a documentary report about a sinking ship near the coast of Guinea-Bissau on which he was a passenger. The digital camera records the growing panic on the ship after it has gotten stuck in the ocean in an oppressive nighttime atmosphere. In shaky interview footage, we see passengers move from an initial apathy to nervous anxiety, and from there fluidly to a fear for their lives. The growing tension on board is reflected in the film's ever quickening tempo.
Documentary
Água para Tabatô
1

Água para Tabatô

Oct 25, 2014
In mid-summer 2011, Paulo Carneiro and set out as assistant director for a film crew working on a project on the west African coast. There he unexpectedly ended up shooting his own film, a documentary report about a sinking ship near the coast of Guinea-Bissau on which he was a passenger. The digital camera records the growing panic on the ship after it has gotten stuck in the ocean in an oppressive nighttime atmosphere. In shaky interview footage, we see passengers move from an initial apathy to nervous anxiety, and from there fluidly to a fear for their lives. The growing tension on board is reflected in the film's ever quickening tempo.
Documentary
Cinzas e Brasas
4.8

Cinzas e Brasas

Apr 26, 2015
Certainly an outstanding case of beauty and mystery, this short film by Mozos creates a strange alloy of literature and cinema, and not in the way one discipline is a vampire for the other, but rather as if they were the different faces of the same coin, drawn to coexist and repel each other. As if every film belonged to a lonely species, Ashes and Embers shows a unique arrogance as it trembles, somewhat defenseless, with no certainty that the folds of fiction constitute any kind of survival guarantee for such strange objects. Memory and ghosts are two words that are easily said, but in this singular and very refined film they seem destined to become the ultimate goal of cinema, and its most endurable desire.
Drama
Covas do Barroso, chronique d'une lutte collective
1
Certainly an outstanding case of beauty and mystery, this short film by Mozos creates a strange alloy of literature and cinema, and not in the way one discipline is a vampire for the other, but rather as if they were the different faces of the same coin, drawn to coexist and repel each other. As if every film belonged to a lonely species, Ashes and Embers shows a unique arrogance as it trembles, somewhat defenseless, with no certainty that the folds of fiction constitute any kind of survival guarantee for such strange objects. Memory and ghosts are two words that are easily said, but in this singular and very refined film they seem destined to become the ultimate goal of cinema, and its most endurable desire.
Drama
Covas do Barroso, chronique d'une lutte collective
1
Certainly an outstanding case of beauty and mystery, this short film by Mozos creates a strange alloy of literature and cinema, and not in the way one discipline is a vampire for the other, but rather as if they were the different faces of the same coin, drawn to coexist and repel each other. As if every film belonged to a lonely species, Ashes and Embers shows a unique arrogance as it trembles, somewhat defenseless, with no certainty that the folds of fiction constitute any kind of survival guarantee for such strange objects. Memory and ghosts are two words that are easily said, but in this singular and very refined film they seem destined to become the ultimate goal of cinema, and its most endurable desire.
Drama
Covas do Barroso, chronique d'une lutte collective
1
Certainly an outstanding case of beauty and mystery, this short film by Mozos creates a strange alloy of literature and cinema, and not in the way one discipline is a vampire for the other, but rather as if they were the different faces of the same coin, drawn to coexist and repel each other. As if every film belonged to a lonely species, Ashes and Embers shows a unique arrogance as it trembles, somewhat defenseless, with no certainty that the folds of fiction constitute any kind of survival guarantee for such strange objects. Memory and ghosts are two words that are easily said, but in this singular and very refined film they seem destined to become the ultimate goal of cinema, and its most endurable desire.
Drama
Covas do Barroso, chronique d'une lutte collective
1
Certainly an outstanding case of beauty and mystery, this short film by Mozos creates a strange alloy of literature and cinema, and not in the way one discipline is a vampire for the other, but rather as if they were the different faces of the same coin, drawn to coexist and repel each other. As if every film belonged to a lonely species, Ashes and Embers shows a unique arrogance as it trembles, somewhat defenseless, with no certainty that the folds of fiction constitute any kind of survival guarantee for such strange objects. Memory and ghosts are two words that are easily said, but in this singular and very refined film they seem destined to become the ultimate goal of cinema, and its most endurable desire.
Drama
Piedras Preciosas
1

Piedras Preciosas

Jan 01, 1970
Machado is a Colombian immigrant who has been living in France for years, where he works as a grape-picker. He barely earns enough to cover Europe's high cost of living. An acquaintance introduces him to Madame Chiara, gemstone collector who hires him to go to Colombia and steal an emerald. Despite Machado's insistence of the danger involved in his returning to Colombia, Chiara convinces him to go by offering him a sum of money he can't refuse. In Colombia he will have to cope with the bustling life of central Medellín and nature in the mountains. While travelling through Colombia he is involved in a crime committed by a pilot and will try to double-cross Chiara by looking for someone else to buy the emerald.