Jules Cazaban

Geared more for the home crowd with a good knowledge of their own history, this Romanian political comedy takes place at the turn of the 20th century, when two opposing factions are going at each other tooth and nail to win an election. One candidate is a staunch if not deluded conservative and the other is a radical liberal. Anticipating modern election campaigns by a good half a century, the two candidates decide that the best way to win is to sling as much mud as possible. Lacking the Internet and fifteen-second TV spots, they do the best they can -- they send each other virulent telegrams denouncing each other's personal failings.

A star of a small town soccer team gets involved with the pretty sister of his main rival in the team.

The communists are taking over the boyar land and do the agrarian reform.

In this undistinguished drama, Darclee (Silvia Popovici) is a lead singer for an opera company in Romania with a heavy load of responsibility. It seems the company is in dire need of a decent physical structure for their performances and a brace -- or more -- of good singers to improve their image and sales. In other words, they need just about everything except an excellent lead singer; Darclee fills that bill. And so the company rather unfairly leans on her to get the people and the funds they so desperately want. Matei Jacob directs.

The Nazi troops are retreating from Romania. On a wester town, they have to be held back until some strategic trains can leave the train station.

A bourgeois family life in Romania around the time of the Great Peasant Uprising of 1907.