Yuri Yamamoto

The cinematographic and literary versions of the same macabre plot are incorporated and establish tortuous relationships in an atmosphere where maintaining the mystery can be a matter of survival.

Pilar, a young hotel maid, has her path crossed by Shin, a middle-aged South Korean guest. The plans of both go wrong and, despite everything that separates them, they end up getting closer and establishing a relationship of solidarity.

Aluízio Li is a martial arts fan who lives with his head in the world of fights from dreaming and watching Chinese films. He believes he is a Shaolin monk, dressing and behaving just like his cinematic references. However, he is the subject of mocking jokes in his hometown, Quixadá, in the backlands of Ceará. His days of peace will end when retired MMA fighter Toni Tora Pleura announces a "tour" of challenges to bullies in several cities in the interior of Ceará, including Quixadá.

Ceará, côte nord du Brésil. 30 degrés tout l’année. Chaque nuit, au Motel Destino, se jouent à l’ombre des regards de dangereux jeux de désir, de pouvoir et de violence. Un soir, l’arrivée du jeune Heraldo vient troubler les règles du motel.

Deusimar is the owner of Inferninho, a dark and run-down bar that is refuge of dreams and fantasies. Her dream is to leave everything behind and go away to any distant land, as far as possible from that place. Falling in love with Jarbas, the handsome sailor that arrives at the bar, dreaming of finding home, will completely change her life and the lives of the bar employees: Luizianne, the singer; Rabbit, the waiter; and Caixa-Preta, the cleaning lady.

A travel agency employee is tasked with providing a new and unusual service to his boss. It is the delivery of a document that seems to be essential for the company to run. In this context, the precarious working conditions are contrasted with the obscurity and magnitude of the final product offered.

A terrified young woman is staring at a disturbing monstrosity, a kind of Pagan spirit that has sprung out of a river. Such is the opening scene of Pajeú, named after the creature, a fantastic character which follows the meanderings of the river and drives the story. Eager to get rid of a nightmare that is infecting her life, Maristela is looking into the story of Pajeú, the now forgotten figure buried in the depths of the city of Fortaleza. The film goes through successive urban transformations leading to the burying of Pajeú, a mystery imbued with supernatural elements.