Thomas Renoldner

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Don't Know What
5.3

Don't Know What

Dec 01, 2018
Le cinéma de divertissement et l'art vidéo fusionnent en une sorte de nouveau genre cinématographique, qui alterne entre vues réelles et animation. On peut également le voir comme une composition musicale.
Drama
Wüstenherzen
1

Wüstenherzen

Jan 01, 1993
The psychological inner life of a child that has experienced sexual violence. This film essay symbolically tells of violence and the dynamics of hurting in the language of an inoccent child.
Rhythmus 94
1

Rhythmus 94

Jan 04, 1994
The generating material for Rhythm 94 is a sequence of photographs taken by the cinematographic pioneer Eadweard Muybridge. The sequence is transposed into a single movement across the screen. The basic pattern arising out of the abstract nature of the photo animation is available for repetition at various speeds and in various spatial relationships.
Sunny Afternoon
1

Sunny Afternoon

Mar 01, 2012
„SUNNY AFTERNOON“ is the confrontation of “kind of” an avantgardefilm with “kind of” a musicvideo, and consequently puts questions about the standard taboos and clichés of different film-“genres”. Both avantgardefilm and musicvideo use music & sound “typical for their genre”.
Animation
Stampfer Dreams
1

Stampfer Dreams

Sep 01, 2024
STAMPFER DREAMS is a homage to the scientist Simon von Stampfer, who presented his invention of the Stroboscopic Discs in Vienna in 1833.
Animation
Don't Know What
5.3

Don't Know What

Dec 01, 2018
STAMPFER DREAMS is a homage to the scientist Simon von Stampfer, who presented his invention of the Stroboscopic Discs in Vienna in 1833.
Drama
Don't Know What
5.3

Don't Know What

Dec 01, 2018
STAMPFER DREAMS is a homage to the scientist Simon von Stampfer, who presented his invention of the Stroboscopic Discs in Vienna in 1833.
Drama
The Mozart Minute
5

The Mozart Minute

Jan 25, 2006
Twenty-eight well-known filmmakers living and working in Austria were invited by WIENER MOZARTJAHR 2006, to produce associative miniatures on Mozart. Requirement: they had to be one-minute artistic short films. The directors come from a whole range of different backgrounds, ranging from animated, experimental and short film to documentaries and feature films. The result is a multi-facetted sampler of diverse formal and contextual positions with regard to Mozart’s person and his influence on today’s society, art and culture. The contributions run the gamut from experimental-conceptual statements through socio-critical and documentary observations to pithy short feature films.
Documentary
l'alfabeto delle cose piccole
1
The film is uncommonly poetic and refined. The pictures come from a book by Federica Pagnucco and Linda Wolfsgruber, realized with printed characters in wood and lead. An old printing tecnique, well blended with wood-printed shapes, which gives a special aura of magic to the book, and subsequently to its animated version, thanks to the participation of Thomas Renoldner and the evocative soundtrack by Peter Rosmanith. It is a precious film owing to the rare suspension of the atmosphere and time, actually fixed and focusing on small things, habits, interstices, in the end, worlds...
Animation
l'alfabeto delle cose piccole
1
The film is uncommonly poetic and refined. The pictures come from a book by Federica Pagnucco and Linda Wolfsgruber, realized with printed characters in wood and lead. An old printing tecnique, well blended with wood-printed shapes, which gives a special aura of magic to the book, and subsequently to its animated version, thanks to the participation of Thomas Renoldner and the evocative soundtrack by Peter Rosmanith. It is a precious film owing to the rare suspension of the atmosphere and time, actually fixed and focusing on small things, habits, interstices, in the end, worlds...
Animation
l'alfabeto delle cose piccole
1
The film is uncommonly poetic and refined. The pictures come from a book by Federica Pagnucco and Linda Wolfsgruber, realized with printed characters in wood and lead. An old printing tecnique, well blended with wood-printed shapes, which gives a special aura of magic to the book, and subsequently to its animated version, thanks to the participation of Thomas Renoldner and the evocative soundtrack by Peter Rosmanith. It is a precious film owing to the rare suspension of the atmosphere and time, actually fixed and focusing on small things, habits, interstices, in the end, worlds...
Animation