Krešimir Dolenčić

Vers la fin de la Seconde Guerre Mondiale, Hitler décide d'envoyer des chefs militaires, politiques et scientifiques, en Turquie afin d'y établir un Quatrième Reich. Afin de se rendre sur place, ces hauts responsables montent à bord de l'Orient-Express. Pour contrer ce plan, le major Wright et ses douze salopards décident d'attaquer le train, loin de se douter qu'une horde de redoutables SS protègent le convoi.

Janko, a police officer/veteran of the war, who is suffering from insomnia caused by post-traumatic stress disorder, now works as a guard in front of the Russian embassy in Zagreb. Having abandoned his former paramour, the daughter of his police chief, he marries a kleptomaniacal hairdresser named Nana, whom he once caught in the act of picking pockets. He then embarks on an affair with the beautiful Marta, the widow of the war profiteer Dragutin Karlo Stajner, who has left behind him a bankrupted firm, a worthless limousine, several bastards, and at least one angry woman. While Janko and Marta persistently try to divvy up what loot remains before any number of others can claim it, Karlo unexpectedly turns up alive and jumps into the middle of a fray between Marta; Karlo's lover, Julija, a Czech bar-singer; and Julija's husband Vlado, a former henchman of Karlo's who is now trying to lay claim to Stajner's limo.

The most brilliant of Austrian operettas takes us to the outskirts of romantic Old Vienna. It’s New Year Eve and we are in the company of Rosalinde, who is determined to teach her philandering husband Eisenstein a lesson, even while she is being pursued by her former beau, the operatic tenor Alfred. At the centre of the action is the extremely wealthy, eternally bored Prince Orlofsky, whose lavish masked ball brings everything to a most delicious boil. But what if the whole plot has been a cunning plan masterminded by someone just to get back at Eisenstein? Die Fledermaus, Johann Strauss II’s comic operetta in three acts which premiered in 1874, has become a synonym of the operetta genre.

Suliman the Magnificent and his Ottoman army are on the march to Vienna. Only one fortified town lies in their way, but its Croatian commander and small garrison of men are determined to stand their ground. Ivan Zajc’s patriotic opera retells the story of Nikola Šubić Zrinjski’s daring leadership and heroic sacrifice during the real life Siege of Siget. Packed with powerful music – including the rousing male chorus 'U boj, u boj!' – it has held a treasured place in the Croatian repertoire ever since its wildly successful premiere in 1876.