Jane Cardew

Dans un village paisible de la côte anglaise, dans un théâtre abandonné, une troupe de jeunes acteurs répète une pièce qu'ils veulent présenter sur la scène londonienne. Cependant, peu conscients sont-ils du fait que ce théâtre héberge un terrible secret et qu'ils courent tous un grave danger.

Hans a young German journalist arrives in London to write an article about au-pair girls, but is requested by friends to investigate the whereabouts of their teenage daughter Greta.

En Bavière, vers 1830. Victime des superstitions et se croyant frappé de malédiction après la mort horrible de sa femme, le comte Zorn a interdit à ses enfants de quitter le château. Il fait appel à un spécialiste en sciences occultes, ce qui ne manque d'effrayer les villageois. Poussés par un prêtre fanatique, ces derniers ne tardent pas à assiéger le château...

A series of vignettes exposing how women manipulate their men into submission.

Capitalising on his remarkable success in On the Buses, Reg Varney took on the contrasting role of a third-rate holiday camp entertainer dreaming of stardom in this mid-seventies comedy feature. Also starring fellow sitcom favourite Diana Coupland and Lee Montague, The Best Pair of Legs in the Business was adapted from an individual ITV Playhouse drama and scripted by Emmerdale Farm creator Kevin Laffan. 'Sherry' Sheridan, a middle-aged compère and drag artiste currently stationed at a caravan site, is low on talent but high on ambition. Convinced he just needs one decent break to launch himself into the big time, he's relentlessly optimistic - but sadly unaware that his family life is crumbling around him. Can Sherry manage to secure both his job, and his marriage?

A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)