Akeem Smith

Plusieurs personnes se retrouvent enfermées dans une maison pendant 24 heures et leur seul échappatoire est d'infliger de la douleur à l'autre.

The film focuses on the life of Jenny who has, according to many of the other characters, become too “left-of-center” while pursuing her interests.

In Comma Boat, we're stuck in a mock-authoritarian fantasy--a power trip. The film centers around a director-character played by Trecartin who oscillates between feelings of omnipotence and self-doubt. As if a post-human, post-gendered reincarnation of the Fellini character in 8 ½, the director gloats and frets about professional and ethical transgressions. "I know I lied to get ahead," he admits at one point. "I've made up so many different alphabets just to get ahead in my field." The director is fancier now, but the fear nags that he might be "repeating" himself "like a dumb soldier ova and ova and ova and ova." The meta-connection to the artist's own career, while obvious, is also a decoy. All art, at some level, is about the artist. Here, reflexivity is the surface level, providing a decodable veneer that encases something more unsettling and complex. Single-channel and 3-channel versions.

A delirious movie installed inside a ghostly barn made with prefabricated materials. The oscillatory movement of the rocking chairs on which visitors sit partly helps to alleviate the syncopated rhythm of the montage and the frenzy of images that follow. A series of brassy characters in wigs and thick make-up map the various locations of the film: a lazy river, a hobby barn, and forest watchtower.

Yellow Day chronicles a young man's life-changing and inspirational journey through the mysterious Yellow Day. To many, the Yellow Day is simply a fun day celebrating outreach at a kid's camp, but to some, God bestows visions and miracles, transforming their lives. For this young man, the Yellow Day becomes an imaginative adventure: showing him true heroes, challenging him to face his fears, find love, and inviting him to accept grace, so that he can be shaped into who he is meant to be.

The award winning producers of the award winning, cult classic film, RETIRING TATIANA are back with this highly experimental screen adaptation of Anthony Lovell Winters' hilarious hit play, "Section 8". Proverbial skeletons are dragged from the family closet when deadbeat dad (Tony Winters) and his college bound son (Akeem Smith) are forced under the same roof of the fathers shabby, low income apartment. The laughter soon gives way to tears as schemes are hatched, aliances tested and long held secrets revealed.

What if you knew you were going to die tomorrow? How would you spend your last day? Well Amber and Jade do know because they plan to kill themselves and record their last 24 hours. Haunted by the untimely death of her mother Maria and the searing betrayal of Ace, her first true love, Jade Evans finds herself giving up on life. Then, when her beloved counselor Lexi dies, Jade believes she has nothing left to live for.

On the eve of her wedding, Monica invites her friends to spend the night at Douglas Plantation, unaware that the estate is rumored to be haunted by the spirits of thirteen murdered slaves. Now, someone or something is stalking Monica and her guests, and terror awaits them at every turn...

In Comma Boat, we're stuck in a mock-authoritarian fantasy--a power trip. The film centers around a director-character played by Trecartin who oscillates between feelings of omnipotence and self-doubt. As if a post-human, post-gendered reincarnation of the Fellini character in 8 ½, the director gloats and frets about professional and ethical transgressions. "I know I lied to get ahead," he admits at one point. "I've made up so many different alphabets just to get ahead in my field." The director is fancier now, but the fear nags that he might be "repeating" himself "like a dumb soldier ova and ova and ova and ova." The meta-connection to the artist's own career, while obvious, is also a decoy. All art, at some level, is about the artist. Here, reflexivity is the surface level, providing a decodable veneer that encases something more unsettling and complex. Single-channel and 3-channel versions.

Beauty and the Baller is a single-camera TV comedy series about a pro athlete, his hot wife and what their life is like off of the court. Despite their fame and fortune, at the end of the day John and Deena Castle are just like any other couple when it comes to resolving problems, managing family and friends, and making sure the love that brought them together keeps them together.

Meredith Grey, fille d'un chirurgien très réputé, commence son internat de première année en médecine chirurgicale dans un hôpital de Seattle. La jeune femme s'efforce de maintenir de bonnes relations avec ses camarades internes, mais dans ce métier difficile la compétition fait rage.

Scott McCall est un adolescent tout ce qu'il y a de plus ordinaire. Il n'est pas le plus populaire de son lycée, il n'en est pas la risée non plus... Un soir, son meilleur ami Stiles le convainc de suivre en cachette les recherches de la police pour retrouver un corps dans les bois alentours. Au cours de cette expédition, il se retrouve nez à nez avec une bête étrange et particulièrement féroce. Il réchappe de peu à cette attaque et, chanceux, avec une seule blessure : une vilaine morsure. Le lendemain, Scott se sent bizarre. Sans qu'il le sache encore, sa vie vient de changer. Il est devenu un loup-garou...

Cette série met en scène Raven Baxter, une adolescente qui voit l'avenir en ayant des visions. Personne n'est au courant, à part ses deux meilleurs amis Chelsea et Eddy, son petit frère Cory, son père Victor et sa mère Tania. Si ce qu'elle voit est heureux, elle fait tout pour que sa vision se réalise et se met souvent dans des situations improbables. Si ce qu'elle voit est malheureux, elle fait tout pour que sa vision ne se réalise pas mais c'est justement en les empêchant que ces événements se réalisent…