Koit Raudsepp

A music critic Hugo, suffering from post-divorce depression, is just about to rebuild his life when his jazz musician father Raivo arrives at his door unexpectedly. Spiteful old man announces that he will soon come to his end and expects his only son to take care of him. When an attractive psychotherapist enters the men’s lives, the father and son duo begin to compete for her attention. The old prankster manages to create a number of embarrassing moments in an effort to ruin Hugo’s romantic plans. Andres Maimik’s and Katrin Maimik’s tragicomedy is an exploration of forced closeness, a pursuit of happiness and a road to forgiving through laughter, suspense and tears.

Freddy Grenzmann is Estonia’s last rockstar and the singer of a punk-rock band called Psychoterror. And a poet. The phenomenon of a rockstar stands outside of normality – is bigger than life. Recognizingly what we can say about Freddy, is that he is not normal – not on stage, nor in life. Freddy’s creation and life are equivalent – he puts everything out there. What makes Freddy interesting is not the social or textual play, but the ammount that he puts in. Possibility of total loss of self-control and the depth of a predictable human or metaphysical agony. This is the story of the last real rockstar and poet, his work and of a punkbands anatomy.