Francesca Fenati

In 18th-century Sicily, deaf-mute highborn Marianna Ucrìa is forced to marry at age 13, bearing three children before even turning 16, when she finally gives birth to a boy. Despite everything, she'll find a way to emancipate herself from the oppressive social conventions of the time.

During the Years of Lead in Italy, a student approaches extra-parliamentary terrorist groups, but comes to realize that he has to get away from those circles as he's hunted by both his former comrades and the police.

L'aube point sur Cinecittà. Le Maestro s’apprête a réaliser son nouveau film inspiré de "l’Amérique" de Kafka. C'est alors que surgit une équipe de télévision japonaise venue interviewer Federico Fellini. La suite est un délire autobiographique dont Cinecittà est le centre. "C'est un film dans lequel la caméra est utilisée comme un crayon, un pinceau qui tracerait des hiéroglyphes. C'est une idée graphique, picturale, visuelle, le contraire du cinéma qui raconte une histoire." Prix du 40e anniversaire du Festival de Cannes. Grand prix festival de Moscou 1987.

The life of St. Francis of Assisi (1181-1226) as related by followers who gather after his death to tell stories so that Leone can record them: a privileged and virile youth, a prisoner of war, an heir who turns away from his father and gives all to the poor, a beggar for others, and an inspiration to friends who accept the Gospels' life of poverty.

Saro débute son service militaire. Agé de vingt ans, naïf et insoucient, il profite de la vie, jusqu'à ce que son capitaine, le viole. S'engage alors une bataille juridique entre la jeune recrue et son supérieur.

The stories revolve around the investigations of Valentina Rosselli, and the intrigues in which she gets involved because of her curiosity and her wonderful physical appearance. In the Shareholders She is often assisted by the antiquarian Philip Rembrandt, with whom she shares an ambiguous relationship.