Zahid Hasan

Halda; a river in south-eastern Bangladesh; The one and only natural fish breeding center in Asia. The movie plot is based on the river halda and the struggling life of the fishermen's on both sides.

Every now and then, occurrences take place on the streets, alleys and highways of this city like the accumulation of moss on a concrete wall. Though majority of these fresh deposits appear true to us, they could really be otherwise. Nonetheless, wrapped under the folds of these truth and lies, three tales are carved to be called “Ei Muhurte”.

Shirin Rani has lots of lovers, one-sided lovers. They find out that she's getting married to a rich person's son who has a seasonal mental issue. However, she makes an elaborate plan to elope with her true lover.

Tanvir (Zahid Hasan) is a gambler, but never wins and his family are run by his wife's income. His wife Rita (Moushumi) borrowed money from her relatives for his business purpose, but he loses everything in gambling. Tareq (Mosharraf Karim) is a rich man, but lonely, he has a cousin Babar who works for him. One day Tareq meets Tanvir while he is playing imagery cards alone in a park as he has no money. Tareq lends Tanvir money for gambling and watches him playing. Story further develops and by then Tanvir has borrowed thousands of money from Tareq. One day Tareq refuses to lend money to Tanvir though he gets better cards and about to win. Tanvir uses his wife as a guarantee to Tareq in order to borrow money.

Bizli has possessed supernatural power by birth. Her father wants to hide it, but an evil scientist wants to use her to implement a cold fusion electricity generation project.

An unprecedented terrorist attack takes place in a peaceful café in the center of Dhaka, capital of Bangladesh, on a nice Saturday afternoon. The terrorists use religion to divide and to kill people, while the surviving hostages, all of them also Muslims, try to defend their own humanistic values. The film unravels the clashes and contradictions of religion, ideology, and civilizations through a terror drama shot in a single take.

A teenager falls in love with her father's servant.

Osman returns to his ancestral village on a stormy night, the village he had fled in the dark of the night 27 years ago. He finds shelter in the home of Mannaf Khan, a village elder. Osman seeks to rediscover his childhood and goes about reliving the past in childhood memories. He meets Kunjo Buri who had nursed him as an infant. He also meets his boyhood friend Fazlu. Osman is not after worldly gains, he only wants to spend the rest of his life in the village and the nostalgia of bygone days. That, However, is not to be. He comes face to face with a reality of a markedly different kind.

An apparently passive young man comes to Dhaka from a rural area looking for a job and a better life.

Irfan has been the moral political guardian to Arman the way Ahsan has been to him. Then why does a series of unfortunate events- female trafficking, drug smuggling, disappearing of a foreign journalist, a bomb blast- occur in their small town of Thanchi? Who are they that prey on the aborigines at night? Who are they, who roam around with blood-spattered faces and weapons in hand during Vaisavi? Why does Arman continuously end up as the scapegoat? Where does someone's gains lie in Arman's death? While finding answers to these questions, Arman falls into a rabbithole of ghoulish truths, making him lose his credence. Right there starts Arman's striking journey to save Pushpa, and his country. It is a story of Arman's love for Pushpa, of Ahsan and Irfan's love for their country. In some ways, it is a story of selling out your country, of Titli's life in orphanage, of Nazrul's sacrifice, and of Arman's mother's death. In hindsight, it is a story patriotism.

A Bangaldeshi housewife crosses the border to start her a new life where she struggles to deal with the pain and betrayal of her own family and making a living on her own.

All sorts of character get on board a bus bound for Teknaf, Cox's Bazar on a pleasure trip organized by a new travel company named Somudro Bilash Private Limited, owned by Mr. Rafiq.

The second movie directed by Humayun Ahmed. Revolving around a folk singer, his love interest and the local aristocratic family's involvement, the movie offered some beautiful folk songs like Amar Gaye Joto Dukhkho Shoy by Bari Siddiqui. Golam Mustafa, Zahid Hasan, Mahfuz, Mukti and Shaon played the main characters in the film.

Witness Bangladesh's most iconic telefilm. After the massive failure of Somudro Bilash Private Limited, Mr. Rafiq and his gang are back with another business idea. This time, they will provide training and job placement services for housemaids.

A 90's iconic slice of life genre drama directed by the famous Novelist of Bangladesh, Humayun Ahmed, based on his own novel, Nokkhotrer Raat (Starry Night), centered around the ups and downs of a middle class family of six, casting Abul Hayat, Asaduzzaman Nur, Sarah Zaker, Shomi Kayser and many popular faces from the 90's. The story starts by showing a typical day of a middle class family and it unfolds by revealing different chapters that a family goes through, from day to day life, thereby unfolding an extraordinary tale of love, sorrow, struggle, crisis, heart break, sudden demise, and above all, unity and integrity, out of a seemingly ordinary family.

Famous director Faisal Ahmed was murdered. The responsibility of the murder fell on his friend Badal. Because the pattern of murder matches with a story published by him.

Aaj Robibar {Today is Sunday} is a Bengali comedy sitcom by Humayun Ahmed. The sitcom revolves around the day to day life of an eccentric household consisting of a grandfather, his three socially in-adept sons, two granddaughters, a boarder, the male-servant and the maid. From the eldest brother who remains a bachelor and plays chess with himself, to the servant who tries to peek in through a key-hole and gets squirted with ink on a daily basis, this show is thoroughly entertaining.