Shanthi Lekha

Dr. Sarath (Tony Ranasinghe) domineers over his timid wife Vineetha (Sriyani Amarasena). When she is to have a Caesarean delivery of their baby, Sarath refuses to be present even though he himself is a doctor. She dies during surgery and Sarath is forced to live with the spectre of his wife hanging over him.

Based on the famous novel Thun Man Handiya, this movie demonstrates a fraction of life of a youth who reflects back to his childhood and steps to a new era of life when he moves to the Governmental Art Academy.

Sandesaya (Sinhalese language word meaning The Message) is a 1960 film. The film based on the war between the Sinhalese people and the Portuguese invaders in Sri Lanka. It was directed by Sri Lankan film director Lester James Peries. It was produced by K. Gunaratnam on behalf of the Cinemas Company on the request of Raj Kapoor.

Kolomba Sanniya (Colombo Mania) is a 1976 Sinhalese language comedy film directed by Manik Sandrasagara that follows the lives of middle and upper-class people in rural and urban Sri Lanka. The film stars Geetha Kumarasinghe, Joe Abeywickrema and Denewake Hamine are notable for containing the first depiction of best comedy in a Sinhala film.

Based on a short story written by G.B. Senanayake in one of his short story collection known as "The Revenge," the film revolves around a murder committed for the purpose of gaining access to a hidden treasure.

The film deals with the inter-ethnic, communal violence between Sinhalese and Tamils. It demonstrates the ambivalence of the Sinhala socio-political establishment towards the Tamil people.

Lasanda is the name of the girl played by the famous actress Nita Fernando. Her acting amplifies the moral qualities of her heroine – a proud woman, irreconcilable to everything that degrades human dignity. The world is divided into two clearly delineated camps. In one of them are the rich mine owners and their accomplices, in the other - the working class, the poor, forced to make ends meet with odd jobs. The first reign supreme, believing that they can buy off any crime with money, although they fear an organized uprising by workers. The second are almost powerless in the face of tyranny and violence; their existence, their future depend on the whim of their masters.