Jake Hunter

Young tech entrepreneur Olivia Grassi has hit rock bottom. She's been dumped by her boyfriend/business partner, ousted from the tech company she helped create, and she's spending all her money on a lawsuit against them, both. She moves back home to Pasadena, California, where her best friend Shane suggests she creates a new dating app to get her life back on track. Olivia goes on a series of meetings to pitch her new dating app, but fails miserably because everyone she meets is terrified of her. Frustrated, but not out of the game, Olivia gets help from Shane and her family to make another attempt at selling her app. This time she gets set up with one of the biggest venture capitalists in the world, Alan Stevenson. However, this opportunity doesn't go far when Alan sexually harasses Olivia, and asks her to sign an NDA before agreeing to work with her. Rushing out of Alan's office, Olivia runs into Luke, who comforts her until her best friend Shane comes to her aid.

Kyle and his husband David are bored and having marital problems mostly because they envy their close friends Mark and Richard who keep extolling the virtues of an open relationship. One night while lying in bed Kyle and David decide to do something to spice things up by declaring they are going to pursue a "non-sexual open relationship". Kyles's sister Gabby is claiming to be "bi" because she thinks it makes her look cool. So Kyle also decides to help his sister out by finding her a woman who is willing to help her explore her bisexuality. Enter Trey a former student of David who leads him into sexual relationship thus breaking the rules of he and Kyle's new open relationship arrangement. Enter Margaret who has every intention of dating Gaby and pursuing true love. Enter a series of bad dates that Kyle goes on in retaliation of David's affair and chaos ensues. Can these relationships be saved?

A married couple is celebrating their 10-year anniversary (10 years of monogamy) when they begin to wonder if they are missing out on something.

A slasher is killing surfers to make a surfboard out of human flesh.

Tribes tells the story of an African American, an Arab-American and a white guy who try to rob a subway wagon. Because none of them wants to rob people of their own race, it sets them off to a series of arguments over self-identity. This leads the would-be bandits to continually divide the passengers into various ethnic, cultural and economic subgroups in an effort to find a class of people that none of them identify with - a group they can feel good about robbing. When the train arrives at the next station, no one expects that the situation would be reversed. Self-identity is truly a bitch.

Max Barber est un vieil homme qui doit des dettes auprès d'un chef de la mafia. Il décide de faire une fraude à l'assurance en choisissant une star de western suicidaire, Duke Montana, pour jouer dans un film médiocre avec l'intention de le tuer lors des premiers jours du tournage.

Tribes tells the story of an African American, an Arab-American and a white guy who try to rob a subway wagon. Because none of them wants to rob people of their own race, it sets them off to a series of arguments over self-identity. This leads the would-be bandits to continually divide the passengers into various ethnic, cultural and economic subgroups in an effort to find a class of people that none of them identify with - a group they can feel good about robbing. When the train arrives at the next station, no one expects that the situation would be reversed. Self-identity is truly a bitch.

Tribes tells the story of an African American, an Arab-American and a white guy who try to rob a subway wagon. Because none of them wants to rob people of their own race, it sets them off to a series of arguments over self-identity. This leads the would-be bandits to continually divide the passengers into various ethnic, cultural and economic subgroups in an effort to find a class of people that none of them identify with - a group they can feel good about robbing. When the train arrives at the next station, no one expects that the situation would be reversed. Self-identity is truly a bitch.

Tribes tells the story of an African American, an Arab-American and a white guy who try to rob a subway wagon. Because none of them wants to rob people of their own race, it sets them off to a series of arguments over self-identity. This leads the would-be bandits to continually divide the passengers into various ethnic, cultural and economic subgroups in an effort to find a class of people that none of them identify with - a group they can feel good about robbing. When the train arrives at the next station, no one expects that the situation would be reversed. Self-identity is truly a bitch.

Les inspecteurs qui font partie de la division des Crimes sexuels (SVU) du service de police de la ville de New York (NYPD) enquêtent sur des crimes de nature sexuelle. Alors que les autres émissions de la franchise de "La loi et l'ordre" se sont largement concentrées sur les cas de meurtres, les inspecteurs de la division des Crimes sexuels (SVU) ont souvent affaire à des crimes, tel le viol, auquel la victime survit et elle aide les autorités lors de l'enquête.