Akiyoshi Kasuga

Le plus grand clan de Yakuza de la région de l'Est, Kantô, a éclaté. Deux ans après, un des caïds de ce groupe, Sawaki sort de prison.

In post-war Japan, it is difficult for private business to stay afloat. The small atelier has a debt of several million yen. To get a loan, his proprietress is forced to turn to a successful businessman, owner of entertainment establishments and bars. But she has nothing to guarantee the return of the debt, and then she offers herself as collateral. A drama about the contradictory nature of human feelings.

Captain Murakami takes over as skipper of the Azuma Maru, replacing the well-liked former captain. Murakami forces the crew to work harder than they ever have, creating enmity and exhaustion. Just when the ship has taken a huge catch of tuna in its nets, Murakami learns that his ship is the only one in position to rescue the crew of another ship, sinking in a storm. He must choose between saving the catch or saving lives. Either choice may mean his ruin.

Le film se passe pendant la période des réformes Tenpō conduites et mises en place par Mizuno Tadakuni (1793-1851). Celui-ci était un moraliste qui voulait tout réglementer, voyant dans les plaisirs et l'art une perte de temps réduisant la fibre patriotique. Le film concerne divers personnages vivant dans un quartier des plaisirs se retrouvant impliqués dans l'aventure d'acteurs rebelles...

Mighty Jack was a tokusatsu SF/espionage/action TV series. Created by Japanese effects wizard Eiji Tsuburaya, the show was produced by Tsuburaya Productions and was broadcast on Fuji TV from April 6, 1968 to June 29, 1968, with a total of 13 one-hour episodes. The music for the episodes was done by Isao Tomita and Kunio Miyauchi. Reportedly, Eiji Tsuburaya considered this series his masterwork because the focus was on the people rather than on the vehicles and special effects This focus on the people was similar to the works of Gerry Anderson, of which Eiji was a big fan. The Mighty Jack mecha/HQ featured in this series also has some similarities to Eiji's previous TV masterpiece, Ultra Seven. Even for the original series of 13 one hour-long episodes, the ratings were low. The follow-up series, Fight! Mighty Jack, fared better in the ratings, perhaps because of its inclusion of monsters and aliens rather than purely human evil-doers like Q.