Artem Firsanov

Acid est un manifeste silencieux de la génération des vingtenaires. Ils ont été abandonnés dans un monde orné de concepts tels que la famille, l'amitié, l'amour et les opportunités. À la recherche de réponses à leurs questions, ils se dévorent comme une substance chimique qui corrode le monde qui l’entoure, pour apprendre finalement à ne pas écouter mais à entendre, ne pas regarder mais voir. Et pour trouver leur chemin.

The film was conceived as a story about the history of the Gogol Center Theater and the case of Kirill Serebrennikov. But the circumstances were different. This is a film about a film that could not be made.

A documentary about a man who solves the problem of individual immortality. He's not going to die. Various options are being considered - from cryonics (freezing of the brain and body), to digital immortality (digitization of consciousness). Note that the hero lives in Russia, where the topic of immortality is practically not explored. However - everything is ahead! Who knows - perhaps this person will be able to become one of the first "immortals".

A film about how we imagine and portray death. Our heroes are the most diverse people who have been asked to go through all the stages of death, from dying to existence “on the other side.” This study of fear and laughter - the two main reactions of man to the approach of death. Death as a collective (what will happen to everyone) and individual (what will happen to you). What is special about the attitude to death in Russia? Do we know enough about this most important event in life - death? The film creates a kind of catalog, a "herbarium" of human reactions, fears and hopes that there is life after death.

This film was conceived as a continuation of the work of Igor Grigoriev "Holidays of the Revolution", filmed in 1972. The image of the future is the most important theme of the holidays a hundred years ago. Today, in the coming “future,” we are more likely to celebrate the events of the past or the present. Each other is followed by Lenin's birthday, a rock festival, a bow day, New Year, private celebrations. All these days merge into one - “red day”.

This film was conceived as a continuation of the work of Igor Grigoriev "Holidays of the Revolution", filmed in 1972. The image of the future is the most important theme of the holidays a hundred years ago. Today, in the coming “future,” we are more likely to celebrate the events of the past or the present. Each other is followed by Lenin's birthday, a rock festival, a bow day, New Year, private celebrations. All these days merge into one - “red day”.

The film was conceived as a story about the history of the Gogol Center Theater and the case of Kirill Serebrennikov. But the circumstances were different. This is a film about a film that could not be made.

The film was conceived as a story about the history of the Gogol Center Theater and the case of Kirill Serebrennikov. But the circumstances were different. This is a film about a film that could not be made.

The film was conceived as a story about the history of the Gogol Center Theater and the case of Kirill Serebrennikov. But the circumstances were different. This is a film about a film that could not be made.