Sergei Udaltsov

Russian Federation, May 6, 2012. On the eve of the ceremony of inauguration of Vladimir Putin, elected for a third term, the police brutally repressed a march of protest over the lack of freedom existing in the nation. Some people believed that this demonstration would be the beginning of a peaceful revolution, but it was the day when silence and fear won the game. Realize what happens when a person has too much power in his hands.

Ten director graduates from Marina Razbezhkina’s School of Documentary Film and Documentary Theatre lived with a camera for two months in order to chronicle the last “Russian winter” and its popular uprising against Vladimir Putin’s presidential run. People, faces, conversations, protests, failures and triumphs come together to chronicle the campaign.

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

Russia is a highly developed, wired, and educated nation, but endures third-world levels of corruption and a repressive, autocratic government. Many Russians explain this paradox by citing the Russian soul, a unique national mindset, born out of their turbulent history that wants dictatorship. Is that possible, or are free speech and democracy universal values?