Hako Oshima

A young girl named Sato watches on television as a man named Tomoki states brazenly at a press conference that he hopes convicted murderer Mitsuo is eventually placed back into society so that he can kill him with his bare hands.

Saki Omura (Nonoka Ishikawa) is a college student who lives a seemingly peaceful life with her family. Still, behind her smiles, she is tormented by a sense of rejection and isolation. One day, she meets Rena and is fascinated by her appearance. She wishes to become thin and beautiful like Rena and be loved by everyone, but the relationship between Saki and Rena deteriorates. Social rejection and humiliation spiral her into bulimia nervosa until her thoughts are clouded by anguish. The turn of events takes Saki to a health house. During this mountain retreat, a few women with similar issues are separated from external human contact and become a part of a grotesque social experiment.

Junichi, a seasoned sound mixer, was trying to look after his dying wife. Shaken by her illness, Junichi goes out to where he and his wife had traveled to 30 years ago. In a different place, Chika and Yukko visit Yukari's home for her birthday. An exciting time for the girls alone in the house. But their friendship begins to crack when an unexpected guest arrives. Two different stories collide in an unexpected way traveling between past and present, imagination and reality.

New idol group Electric★Kiss appears in front of idol group BiS. The girls in BiS go up against a conspiracy planned by Electric★Kiss.

Up-and-coming manzai stand-up comedy duo Emi-Abi has lost consummate funny man Unno (a surprisingly touching Tomoya Maeno) to an accident, leaving conceited straight man Jitsudo (Ryu Morioka) to contend with his diminished career prospects as a bland, pretty face entertainer. Guided by his manager Natsumi (Haru Kuroki), who demonstrates stronger comedy chops than her own star, Jitsudo comes to learn the circumstances of his friend's passing, as well as the life-and-death stakes of a career in comedy. Demonstrating a careful balance of tone across tragedy and deadpan and gross-out humor, writer/director Kensaku Watanabe expands "Emi-Abi"'s hilarious premise into a strikingly assured meditation on artistic rivalry and self-actualization.

Nao, who disagrees with her boyfriend often and tends to skip class, gets offered by her father, Hirokazu, to join Aya, who is about to be his third wife, on a trip to Taiwan for a week. In contrast to Nao who is reluctant, Aya wants to get to know her future step daughter better. Eating, walking, meetng people. Will this experience change Nao?