John Dewar

In Rhea (1982), Askevold elaborates on his interest in allusion and implication, using images that seem to be fragments of a larger narrative to suggest, rather than tell, a story. This piece consists of a series of close-up shots of numerous people, each stating a name or phrase. The shots gesture towards the type of staged reaction shot, often used in soap operas or made-for-TV movies, interrupting the linearity of the story.

During a long drought resulting in state-mandated tear collection, a young woman is saved by an unlikely friend.

A retelling of the Disney film, Beauty and the Beast (1991), on ice. This also included live singers from the Broadway stage show, and clips of the animated film.

L'inspecteur Nick Burkhardt apprend qu'il est le dernier de l'illustre lignée des Grimm : des êtres qui protègent les humains des monstres échappés des contes de fées.

À New York, détectives et assistants du procureur tentent de résoudre les affaires les plus délicates. Les uns sur le terrain, les autres devant les tribunaux.