Sara Pinheiro

The young Jimena searches for her identity. The film follows the life of the young woman with her mother and grandmother, white middle-class women, and the exchange of letters with her father, a foreign and black man, whom the young woman resembles. Seeking to free herself from the feeling of inadequacy, Jimena rewrites her family relationships and creates other ways of experiencing love, friendship and work ties. Through her eyes, the film considers questions about class, family, tradition, race and gender.

The young Jimena searches for her identity. The film follows the life of the young woman with her mother and grandmother, white middle-class women, and the exchange of letters with her father, a foreign and black man, whom the young woman resembles. Seeking to free herself from the feeling of inadequacy, Jimena rewrites her family relationships and creates other ways of experiencing love, friendship and work ties. Through her eyes, the film considers questions about class, family, tradition, race and gender.

In an idyllic South Icelandic village, an aimless delivery driver’s life is upended when her half-brother disappears following his wife’s suspicious demise.

A group of charismatic young Asian women audition for the recasting of Kanchi from Powell and Pressburger’s 1947 Black Narcissus.

A soccer pitch emerges based on a process standardized down to the last detail. Layers of sand and soil are piled up and leveled, pieces of turf are rolled out and cut to size. Nothing is left to chance. Only when nature has been cast into shape can the game begin.

In a society in which conscious lies and double morals are easily justified with excuses and laughs, a needlessly complex society is created, that deviates from the core of tangible life. Freek has a difficult time maintaining himself in his normal day life. When he looses his grip, he breaks and marks his most beloved person, his son, for life.

A platonic relationship between a young girl employed at a spa hotel and its former client develops through romantic letters full of old-fashioned respect, exchanged between the couple in the mid-50s.

Kinetopsia, a disorder in which one believes that static objects are in motion, serves as a metaphor for the social situation we find ourselves in: the Velvet Revolution took place thirty-five years ago, and while the opaque present continues to bring new problems, public discussion often still revolves around the hunt for the "spectre of communism". From the perspective of a young couple, we discover the fascinating project of Sylvia's abandoned Discoland and become aware of the critical moments of the political transformation that has determined the economic and cultural conditions in which we live today.

Kinetopsia, a disorder in which one believes that static objects are in motion, serves as a metaphor for the social situation we find ourselves in: the Velvet Revolution took place thirty-five years ago, and while the opaque present continues to bring new problems, public discussion often still revolves around the hunt for the "spectre of communism". From the perspective of a young couple, we discover the fascinating project of Sylvia's abandoned Discoland and become aware of the critical moments of the political transformation that has determined the economic and cultural conditions in which we live today.

Ada Blackjack, an Iñupiat woman, was the only surviving member of an expedition to Wrangel Island in the Arctic in 1921. Ada was employed as a seamstress and cook for four explorers, who hoped to claim the island for the British Empire. However, the four men fell ill and eventually died or disappeared while attempting to seek help, leaving Ada to survive alone on the island for three long months. The words you hear in the film are unedited extracts from Ada’s diary, expressing her concern for her young son Bennett, who she reluctantly left behind in a care home.